A work in constant progress (and occasional regress).
Alias:
Eric Pommer
Birthplace:
Hildesheim, Germany
Born:
July 20, 1889
Died:
May 8, 1966
Erich Pommer (20 July 1889 – 8 May 1966) was a German-born film producer and executive. Pommer was perhaps the most powerful person in the German and European film industries in the 1920s and early 1930s. As producer, Erich Pommer was involved in the German Expressionist film movement during the silent era. As the head of production at Decla Film, Decla-Bioskop, and, from 1924 to 1926, at UFA, Pommer was responsible for many of the best known movies of the Weimar Republic. He later worked in American exile before returning to Germany to help rebuild the German film industry after World War II.
Additional Writing:
1938 St. Martin's Lane
Director:
1938 St. Martin's Lane
1938 Vessel of Wrath
Producer:
1915 Der Todesritt auf dem Riesenrad
1916 Dynamit
1917 Der Klub der Neun
1917 Die Tochter der Gräfin Stachowska
1919 Das verwunschene Schloß
1919 Der Weg, der zur Verdammnis führt, 2. Teil - Hyänen der Lust
1919 Die Ehe der Frau Mary
1919 Half-Blood
1919 Harakiri
1919 Master of Love
1919 The Dance of Death
1919 The Plague in Florence
1919 The Spiders: Part 1 - The Golden Sea
1920 Die Jagd nach dem Tode - 2. Teil: Die verbotene Stadt
1920 Genuine: The Tragedy of a Vampire
1920 Opfer
1920 The Cabinet of Dr. Caligari
1920 The Head of Janus
1920 The Night of Queen Isabeau
1920 The Spiders: Part 2 - The Diamond Ship
1921 Die Jagd nach dem Tode - 3. Teil: Der Mann im Dunkel
1921 Die Jagd nach dem Tode - 4. Teil: Die Goldmine von Sar-Khin
1921 Playing with fire
1921 The Black Panther
1921 The Death in the Greenstreet
1921 The Haunted Castle
1921 The Indian Tomb, Part I: The Mission of the Yoghi
1921 The Indian Tomb, Part II: The Tiger of Eschnapur
1922 Dr. Mabuse, the Gambler
1922 Phantom
1923 A Glass of Water
1923 His Wife, the Unknown
1923 The Expulsion
1923 The Lost Shoe
1923 The Stone Rider
1924 Decameron Nights
1924 Die Nibelungen: Kriemhild's Revenge
1924 Die Nibelungen: Siegfried
1924 Michael
1924 The Finances of the Grand Duke
1924 The Last Laugh
1925 Express Train of Love
1925 The Blackguard
1925 The Pleasure Garden
1925 The Tower of Silence
1925 Variety
1926 Faust
1926 Impetuous Youth
1926 Manon Lescaut
1926 Tartuffe
1926 Two Brothers
1927 Hotel Imperial
1927 Metropolis
1927 Mockery
1928 Hungarian Rhapsody
1928 Spies
1929 Asphalt
1930 Alraune
1930 Burglars
1930 Darling of the Gods
1930 Love waltz
1930 The Blue Angel
1930 The Love Waltz
1930 The Road to Paradise
1930 The Temporary Widow
1930 The Three from the Filling Station
1931 About an investigation
1931 Bombs Over Monte Carlo
1931 Congress Dances
1931 In the act
1931 Inquest
1931 The Congress Dances
1931 The Man in Search of His Murderer
1932 A Blonde Dream
1932 A Shot at Dawn
1932 F.P.1 Doesn't Answer
1932 Happy Ever After
1932 I by Day, You by Night
1932 Quick
1932 Quick
1932 The Tempest
1932 Tumultes
1932 Zwei Herzen und ein Schlag
1933 Early to Bed
1933 The Only Girl
1933 The Only Girl
1934 A Man Has Been Stolen
1934 Liliom
1934 Music in the Air
1937 Fire Over England
1938 St. Martin's Lane
1938 Vessel of Wrath
1939 Jamaica Inn
1940 Dance, Girl, Dance
1940 They Knew What They Wanted
1955 Children, Mother, and the General
1984 Giorgio Moroder's Metropolis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.