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Bill Damaschke (b. 1963)

Birthplace:
Chicago, Illinois, U.S.

Born:
November 20, 1963

Biography from TheMovieDB

William Damaschke (born November 20, 1963) is an American film executive and producer who currently serves as the president of Warner Bros. Pictures Animation. Previously, he had spent 20 years at DreamWorks Animation, most recently as Chief Creative Officer, where he was involved in the creative, artistic, and operational direction of the company. His tenure oversaw the release of some of the company's big franchise films, including Madagascar, Kung Fu Panda, How to Train Your Dragon and The Croods. He also oversaw all of DreamWorks's live theatrical productions, including the award-winning Shrek the Musical. Damaschke’s other projects as a producer include the Broadway musical The Prom, directed and choreographed by Casey Nicholaw, which played at the Longacre Theatre from 15 November 2018 to 11 August 2019; the Broadway-bound musical Half Time, directed and choreographed by Jerry Mitchell, which was presented at the Paper Mill Playhouse in Spring of 2018; and the stage adaptation of Moulin Rouge, directed by Alex Timbers, on which Damaschke serves as executive producer. He was also formerly the president of Skydance Animation.

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Additional information:

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Film Performances

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Film Production

Co-Executive Producer:
2000  The Road to El Dorado

Consulting Producer:
2000  The Road to El Dorado
2017  Michael Jackson's Halloween

Executive Producer:
2000  The Road to El Dorado
2006  Over the Hedge
2017  Michael Jackson's Halloween

Producer:
2000  The Road to El Dorado
2004  Shark Tale
2006  Over the Hedge
2017  Michael Jackson's Halloween
2020  The Prom

Thanks:
2000  The Road to El Dorado
2004  Shark Tale
2004  Shrek 2
2005  Madagascar
2005  Wallace & Gromit: The Curse of the Were-Rabbit
2006  Over the Hedge
2016  Trolls
2017  Michael Jackson's Halloween
2017  The Boss Baby
2020  The Prom

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.