A work in constant progress (and occasional regress).
Birthplace:
Del Rio, Tennessee, USA
Born:
May 26, 1905
Died:
May 30, 1983
While still a teenager, the future Academy Award-winning lensman began as an assistant cameraman in 1923 on John Ford's 1924 western saga The Iron Horse. He was then hired by the Famous Players-Lasky Studios in 1927, became a camera operator in 1928 and worked there until 1943. Guffey was hired as a Director of Photography by Columbia Pictures in 1944. In 1957-58 he served as president of the American Society of Cinematographers (A.S.C.) for a year, and had been a long standing member. According to film critic Spencer Selby, Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950).
Assistant Camera:
1937 You Only Live Once
Camera Operator:
1932 The Conquerors
1935 The Informer
1937 You Only Live Once
Cinematography:
1932 The Conquerors
1935 The Informer
1937 You Only Live Once
1946 A Bird in the Head
1946 Meet Me on Broadway
Director of Photography:
1932 The Conquerors
1935 The Informer
1937 You Only Live Once
1944 Sailor's Holiday
1944 The Soul of a Monster
1945 Blonde from Brooklyn
1945 Eadie Was a Lady
1945 Eve Knew Her Apples
1945 I Love a Mystery
1945 My Name Is Julia Ross
1946 A Bird in the Head
1946 Gallant Journey
1946 Meet Me on Broadway
1946 Night Editor
1946 So Dark the Night
1946 The Notorious Lone Wolf
1947 Framed
1947 Johnny O'Clock
1948 The Sign of the Ram
1948 To the Ends of the Earth
1949 All the King's Men
1949 And Baby Makes Three
1949 Knock on Any Door
1949 The Reckless Moment
1949 The Undercover Man
1950 Convicted
1950 Emergency Wedding
1950 Father Is a Bachelor
1950 In a Lonely Place
1951 Sirocco
1951 The Family Secret
1951 Two of a Kind
1952 Assignment: Paris
1952 Scandal Sheet
1952 The Sniper
1953 From Here to Eternity
1953 The Last Posse
1954 Human Desire
1954 Private Hell 36
1954 The Bamboo Prison
1955 Count Three and Pray
1955 The Violent Men
1955 Three Stripes in the Sun
1955 Tight Spot
1956 Battle Stations
1956 Nightfall
1956 Storm Center
1956 The Harder They Fall
1957 Decision at Sundown
1957 Not One Shall Die
1957 The Brothers Rico
1957 The Strange One
1958 Me and the Colonel
1958 Screaming Mimi
1958 The True Story of Lynn Stuart
1959 Dogface
1959 Edge of Eternity
1959 Gidget
1959 They Came to Cordura
1960 Hell to Eternity
1960 Let No Man Write My Epitaph
1960 The Mountain Road
1961 Cry for Happy
1961 Homicidal
1961 Mr. Sardonicus
1962 Birdman of Alcatraz
1962 Kid Galahad
1964 Flight from Ashiya
1964 Good Neighbor Sam
1965 King Rat
1966 The Silencers
1967 Bonnie and Clyde
1967 How to Succeed in Business Without Really Trying
1967 The Ambushers
1968 The Split
1969 Some Kind of a Nut
1969 The Learning Tree
1969 The Madwoman of Chaillot
1969 Where It's At
1970 Halls of Anger
1970 Suppose They Gave a War and Nobody Came?
1970 The Great White Hope
1971 The Steagle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.