A work in constant progress (and occasional regress).
Birthplace:
Knoxville, Tennessee, USA
Born:
December 30, 1962
Cho, who is of Korean American descent, was raised in Knoxville and went into stand-up comedy in 1986. He attended University of Tennessee at Knoxville, and moved to Los Angeles, California in 1989 to pursue his career, but always with the intent of returning to his roots in Tennessee. Cho often uses his childhood experiences as an Asian American in the South in his comedy. "I'm an Asian with a Southern accent," remarks Cho, "To a lot of people, that right there is funny." He frequently makes remarks about the church he attends, but not in a mocking way. In interviews, Cho has stated that he is a practicing Christian.
Producer:
2017 Saving Faith
Writer:
2006 Henry Cho: What's That Clickin' Noise?
2017 Saving Faith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.