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Romeo Tirone

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Film Production

Additional Camera:
2000  Committed

Director of Photography:
1996  Lowball
2000  Committed
2001  L.I.E.
2005  Cry_Wolf
2005  Nadine in Dateland
2006  12 and Holding

First Assistant Camera:
1988  Out of the Dark
1996  Lowball
2000  Committed
2001  L.I.E.
2005  Cry_Wolf
2005  Nadine in Dateland
2006  12 and Holding

Click the heading above to show or hide the list.

TV Production

Director:
2006  Dexter
2008  True Blood
2011  Once Upon a Time
2013  Once Upon a Time in Wonderland
2013  Rectify
2013  Red Widow
2013  Sleepy Hollow
2014  Constantine
2015  Blindspot
2016  Underground
2017  S.W.A.T.
2017  Taken
2018  Manifest
2019  The InBetween
2019  Whiskey Cavalier
2020  FBI: Most Wanted

Executive Producer:
2006  Dexter
2008  True Blood
2011  Once Upon a Time
2013  Once Upon a Time in Wonderland
2013  Rectify
2013  Red Widow
2013  Sleepy Hollow
2014  Constantine
2015  Blindspot
2016  Underground
2017  S.W.A.T.
2017  Taken
2018  Manifest
2019  The InBetween
2019  Whiskey Cavalier
2020  FBI: Most Wanted
2020  Paradise Lost

Supervising Producer:
2006  Dexter
2008  True Blood
2011  Once Upon a Time
2013  Once Upon a Time in Wonderland
2013  Rectify
2013  Red Widow
2013  Sleepy Hollow
2014  Constantine
2015  Blindspot
2016  Underground
2017  S.W.A.T.
2017  Taken
2018  Manifest
2019  The InBetween
2019  Whiskey Cavalier
2020  FBI: Most Wanted
2020  Paradise Lost

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.