A work in constant progress (and occasional regress).
Alias:
Sergei Appolinarievich Gerasimov
Sergej Apollinarievič Gerasimov
Sergey Gerasimov
Sergueï Guerassimov
С. Герасимов
Сергей Аполлинариевич Герасимов
Birthplace:
Kundravy, Urals, Russian Empire
Born:
May 21, 1906
Died:
November 26, 1985
Sergei Appolinarievich Gerasimov (21 May 1906 – 26 November 1985) was one of the most reputable Soviet film directors and screenwriters. The oldest film school in the world, the VGIK, bears his name. Gerasimov started his film industry career as an actor in 1924. At first he appeared in Kozintsev and Trauberg films, such as The Overcoat and The New Babylon. Later, he was commissioned to produce screen versions of the literary classics of Socialist realism. His epic screenings of Alexander Fadeyev's The Young Guard (1948) and Mikhail Sholokhov's And Quiet Flows the Don (1957–58) were extolled by the authorities as exemplary. During several decades of their teaching in the VGIK Gerasimov and his wife Tamara Makarova prepared many generations of Russian actors. In his last movie Gerasimov played Leo Tolstoy, while Makarova was cast as Tolstoy's wife. Gerasimov is buried in the Novodevichy Cemetery of Moscow. Description above from the Wikipedia article Sergei Gerasimov (film director), licensed under CC-BY-SA, full list of contributors on Wikipedia. From Wikipedia, the free encyclopedia.
Assistant Director:
1931 Alone
Director:
1931 Alone
1934 Do I Love You?
1936 The Brave Seven
1938 Komsomolsk
1939 The New Teacher
1941 Masquerade
1943 The Invincible
1944 The Ural Front
1945 Berlin Conference
1945 Crimean Conference
1946 Moscow Music Hall
1948 The Young Guard
1951 The New China
1952 The Country Doctor
1953 Velikoye proshchaniye
1955 Nadezhda
1957 Quiet Flows the Don
1957 The Wind Rose
1962 Men and Beasts
1967 The Journalist
1969 By the Lake
1972 The Love of Mankind
1975 Daughters-Mothers
1976 The Red and the Black
1980 At the Beginning of Glorious Days
1980 The Youth of Peter
1984 Lev Tolstoy
Screenplay:
1931 Alone
1934 Do I Love You?
1936 The Brave Seven
1938 Komsomolsk
1939 The New Teacher
1941 Masquerade
1943 The Invincible
1944 The Ural Front
1945 Berlin Conference
1945 Crimean Conference
1946 Moscow Music Hall
1948 The Young Guard
1951 The New China
1952 The Country Doctor
1953 Velikoye proshchaniye
1955 Nadezhda
1957 Quiet Flows the Don
1957 The Wind Rose
1958 The Memory of the Heart
1962 Men and Beasts
1967 The Journalist
1969 By the Lake
1972 The Love of Mankind
1975 Daughters-Mothers
1976 The Red and the Black
1980 At the Beginning of Glorious Days
1980 The Youth of Peter
1984 Lev Tolstoy
Story:
1931 Alone
1934 Do I Love You?
1936 The Brave Seven
1938 Komsomolsk
1939 The New Teacher
1941 Masquerade
1943 The Invincible
1944 The Ural Front
1945 Berlin Conference
1945 Crimean Conference
1946 Moscow Music Hall
1948 The Young Guard
1951 The New China
1952 The Country Doctor
1953 Velikoye proshchaniye
1955 Nadezhda
1957 Quiet Flows the Don
1957 The Wind Rose
1958 The Memory of the Heart
1962 Men and Beasts
1967 The Journalist
1969 By the Lake
1972 The Love of Mankind
1975 Daughters-Mothers
1976 The Red and the Black
1980 At the Beginning of Glorious Days
1980 The Youth of Peter
1984 Lev Tolstoy
Writer:
1931 Alone
1934 Do I Love You?
1936 The Brave Seven
1938 Komsomolsk
1939 The New Teacher
1941 Chapayev is with Us
1941 Masquerade
1943 The Invincible
1944 The Ural Front
1945 Berlin Conference
1945 Crimean Conference
1946 Moscow Music Hall
1948 The Young Guard
1951 The New China
1952 The Country Doctor
1953 Velikoye proshchaniye
1955 Nadezhda
1956 Road of Truth
1957 Quiet Flows the Don
1957 The Wind Rose
1958 The Memory of the Heart
1962 Men and Beasts
1967 The Journalist
1969 By the Lake
1972 The Love of Mankind
1975 Daughters-Mothers
1976 The Red and the Black
1980 At the Beginning of Glorious Days
1980 The Youth of Peter
1984 Lev Tolstoy
Creator:
1976 Rouge et Noir
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.