A work in constant progress (and occasional regress).
Alias:
Erik A. Wilson
Erik Alexander Wilson
Art Direction:
2000 The 13th Sign
Camera Operator:
2000 The 13th Sign
2002 Shooters
Director of Photography:
2000 The 13th Sign
2002 Shooters
2006 Pumpkinhead: Ashes to Ashes
2007 Broken
2007 Pumpkinhead: Blood Feud
2011 Submarine
2011 Tyrannosaur
2012 Now Is Good
2012 The Imposter
2014 20,000 Days on Earth
2014 Paddington
2014 The Double
2016 Framing Mom
2016 Hermetica Komhata HK320
2016 Masterminds
2017 Paddington 2
2019 Tell Me Who I Am
2020 JARV IS... Beyond the Pale - Live From The Centre of The Earth
2021 Dream Horse
2021 Gazelle Twin & NYX: Deep England, A Performance Film
2021 The Electrical Life of Louis Wain
2024 Better Man
2024 Paddington in Peru
Graphic Designer:
2000 The 13th Sign
2002 Shooters
2006 Pumpkinhead: Ashes to Ashes
2007 Broken
2007 Pumpkinhead: Blood Feud
2011 Submarine
2011 Tyrannosaur
2012 Now Is Good
2012 The Imposter
2014 20,000 Days on Earth
2014 Paddington
2014 The Double
2016 Framing Mom
2016 Harvest Lake
2016 Hermetica Komhata HK320
2016 Masterminds
2017 Paddington 2
2019 Tell Me Who I Am
2020 JARV IS... Beyond the Pale - Live From The Centre of The Earth
2021 Dream Horse
2021 Gazelle Twin & NYX: Deep England, A Performance Film
2021 The Electrical Life of Louis Wain
2024 Better Man
2024 Paddington in Peru
Director of Photography:
2005 Doctor Who
2019 The Dark Crystal: Age of Resistance
2021 Landscapers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.