A work in constant progress (and occasional regress).
Birthplace:
Lakeland, Florida, USA
Born:
June 10, 1973
Faith Renée Evans (born June 10, 1973) is an American singer-songwriter, record producer, actress and author. Born in Florida and raised in New Jersey, Evans relocated to Los Angeles during 1993 for a career with the music business. After working as a backing vocalist for Al B. Sure and Christopher Williams, she became the first female artist to be contracted with Sean "Puff Daddy" Combs' Bad Boy Entertainment recording company during 1994, for which she released three platinum-certified studio albums between the years 1995 and 2001. During 2003, she ended her relationship with the company to contract with Capitol Records. Other than her recording career, Evans is known as the widow of New York rapper Christopher "The Notorious B.I.G." Wallace, whom she married on August 4, 1994, a few weeks after meeting at a Bad Boy photoshoot. The turbulent marriage resulted in Evans' involvement in the East Coast-West Coast hip hop feud, dominating the rap music news at the time, and ended with Wallace's murder in a yet-unsolved drive-by shooting in Los Angeles, California during March 1997. A 1997 tribute single featuring Puff Daddy and the band 112, named "I'll Be Missing You", became Evans' best-selling song to date and won her a Grammy Award during 1998. Also an avocational actress and writer, Evans made her screen debut in the 2000 musical drama Turn It Up by Robert Adetuyi. Her autobiography Keep the Faith: A Memoir was released by Grand Central Publishing during 2008 and won a 2009 African American Literary Award for the Best Biography/Memoir category. Description above from the Wikipedia article Faith Evans, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.