A work in constant progress (and occasional regress).
Birthplace:
Bucharest, Romania
Born:
June 3, 1968
Ada Solomon is a Romanian producer and the founder of Hi Film Productions and Micro Film. She has produced films presented and awarded in the most prestigious festivals such as Cannes, Berlin, Locarno, Venice and Sundance. Her credits include I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS (Radu Jude, 2018, Grand Prix Chrystal Globe in Karlovy Vary IFF), AFERIM! (Radu Jude, 2015, Silver Bear Berlin) and CHILD’S POSE (Calin Peter Netzer, 2013, Golden Bear Berlin). She has worked with most promising filmmakers from Romania, from Cristian Nemescu to Ivana Mladenovic, from Alexandru Solomon and Razvan Radulescu to Adrian Sitaru and Paul Negoescu- to name just few. Ada has co-produced with over 15 European countries and has released her films in over 50 territories. She has been in charge of production services for projects such as Franco Zeffirelli’s CALLAS FOREVER and Maren Ade’s Oscar-nominated TONI ERDMANN. She is the Executive President of the European Women’s Audiovisual Network, the Romanian National Coordinator of EAVE, member of the executive board of ACE, member of the board of the European Film Academy and was awarded with the European Co-production Award – Prix Eurimages at the 2013 European Film Awards and with the Central European Initiative Award at the Trieste Film Festival in 2018.
Associate Producer:
2018 Alone at My Wedding
2022 Traces
Co-Producer:
2015 Prologue
2016 Double
2018 Alone at My Wedding
2022 Traces
2022 Whose Dog Am I?
2025 The Ugly Stepsister
Executive Producer:
2009 Apocalypse on Wheels
2015 Prologue
2016 Double
2016 Toni Erdmann
2018 Alone at My Wedding
2022 Traces
2022 Whose Dog Am I?
2025 The Ugly Stepsister
Idea:
2009 Apocalypse on Wheels
2015 Prologue
2016 Double
2016 Toni Erdmann
2018 Alone at My Wedding
2019 The Distance Between Me and Me
2022 Traces
2022 Whose Dog Am I?
2025 The Ugly Stepsister
Line Producer:
2006 Shadow Man
2009 Apocalypse on Wheels
2012 The Adventures of Huck Finn
2015 Prologue
2016 Double
2016 Toni Erdmann
2018 Alone at My Wedding
2019 The Distance Between Me and Me
2022 Traces
2022 Whose Dog Am I?
2025 The Ugly Stepsister
Producer:
2006 Alexandra
2006 Offset
2006 Shadow Man
2006 The Tube with a Hat
2007 Home
2007 In The Morning
2009 Apocalypse on Wheels
2009 Black Sea
2009 The Happiest Girl in the World
2010 Caviar
2010 Medal of Honor
2010 Principles of life
2011 Lord
2011 The Counting Device
2011 Two of Us
2012 A Month in Thailand
2012 Everybody in Our Family
2012 The Adventures of Huck Finn
2013 Child's Pose
2013 Shadow of a Cloud
2014 It Can Pass Through the Wall
2014 Trading Germans
2015 Aferim!
2015 Prologue
2015 The Journey
2015 The Network
2016 Double
2016 Toni Erdmann
2017 One Step Behind the Seraphim
2017 Scarred Hearts
2017 Tarzan's testicles
2017 The Dead Nation
2018 Alone at My Wedding
2018 I Do Not Care If We Go Down in History as Barbarians
2018 The Marshal's Two Executions
2019 Ivana the Terrible
2019 Simple Women
2019 The Distance Between Me and Me
2020 The Exit of the Trains
2020 Uppercase Print
2021 Bad Luck Banging or Loony Porn
2021 Caricaturana
2021 Fishbone
2021 I Don't Know
2021 Semiotic Plastic
2022 Almanah Cinema
2022 Fools
2022 Lebensdorf
2022 The Potemkinists
2022 Traces
2022 Whose Dog Am I?
2023 Do Not Expect Too Much from the End of the World
2023 Mammalia
2024 Horia
2024 On the Impossibility of an Homage
2025 The Ugly Stepsister
???? I matter
???? Vampire Zombie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.