A work in constant progress (and occasional regress).
Assistant Editor:
1970 The Cop
1973 The Serpent
Editor:
1970 The Cop
1973 The Serpent
1984 Dog Day
1988 The Abyss
2000 Code Unknown
2001 The Piano Teacher
2003 Time of the Wolf
2005 Caché
2012 Amour
Sound:
1970 The Cop
1973 The Serpent
1984 Dog Day
1988 The Abyss
2000 Code Unknown
2001 The Piano Teacher
2002 The Housekeeper
2003 Time of the Wolf
2005 Caché
2012 Amour
Sound Editor:
1970 The Cop
1973 The Serpent
1981 The Inquisitor
1984 Dog Day
1985 An Impudent Girl
1987 Hôtel de France
1988 The Abyss
1994 A Pure Formality
1994 The Machine
1995 Beyond the Clouds
1996 XY, drôle de conception
2000 Code Unknown
2001 Intimacy
2001 The Piano Teacher
2002 The Housekeeper
2003 Time of the Wolf
2005 Caché
2007 Hunting & Gathering
2008 Funny Games
2011 The Artist
2012 Amour
2014 The Search
2018 D’où vient cet air lointain? Chronique d’une vie en cinéma
Supervising Sound Editor:
1970 The Cop
1973 The Serpent
1981 The Inquisitor
1984 Dog Day
1985 An Impudent Girl
1987 Hôtel de France
1988 The Abyss
1994 A Pure Formality
1994 The Machine
1995 Beyond the Clouds
1996 XY, drôle de conception
2000 Code Unknown
2001 Intimacy
2001 The Piano Teacher
2002 The Housekeeper
2003 Time of the Wolf
2005 Caché
2007 Hunting & Gathering
2008 Funny Games
2011 The Artist
2012 Amour
2014 The Search
2018 D’où vient cet air lointain? Chronique d’une vie en cinéma
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.