A work in constant progress (and occasional regress).
Alias:
Amber Rose Sealey
Birthplace:
Brighton, England, UK
Born:
October 27, 1975
Amber Sealey is an award-winning filmmaker and actor who was born in England and raised in New Mexico. Her most recent film, NO LIGHT AND NO LAND ANYWHERE, had its world premiere at the LA Film Festival where it won a Special Jury Award and IndieWire said the film could “further cement Sealey’s reputation as one of the most promising directors of female-driven stories working the U.S. today.” NO LIGHT AND NO LAND ANYWHERE, Executive Produced by Miranda July, went on to receive the Indie Vision Breakthrough Feature Film Award at Twin Cities Film Festival, and will be theatrically released in 2017. Her second feature as writer, director, and actor, HOW TO CHEAT, won the Best Performance Award at the LA Film Festival, and won both the Best Narrative Film Award and the Best Acting Award at BendFilm. Critics called it “amazing… laugh-out-loud hilarious” and “one of the most relevant and eloquent portraits of modern marriage to date.” HOW TO CHEAT was distributed by FilmBuff. Her first film, A PLUS D, premiered at Montreal World, where critics said, “Fact and fiction are obliterated… edgy, anguished, funny… The acting is astonishing… I thought of Cassavetes, Winterbottom” and was distributed by IndiePix Films. Amber was selected for Film Independent’s Directing Lab and their Fast Track program with her feature script NEW MEXICAN RAIN. She directed Miranda July (ME AND YOU AND EVERYONE WE KNOW) for her scene in her short film, Somebody, and has worked for director Mike Mills (20TH CENTURY WOMEN) pre-directing his actors for commercials. Amber extensively shadowed director Jamie Babbit on Kay Cannon’s Netflix series “Girlboss,” and shadowed Jill Soloway and Marta Cunningham on Soloway’s Amazon series “Transparent.” Schooling includes: The University of California, Santa Cruz, The Royal Academy of Dramatic Art and The Central School of Speech and Drama. As a performer and devisor she worked in London for seven years with the award-winning physical theatre company, SHUNT, as well as performing in numerous films and television shows. She is a highly experienced audio book and voice over artist, and teaches a weekly acting class. She lives in LA with her husband and two children.
Co-Producer:
2020 Kajillionaire
Director:
2009 A Plus D
2011 How to Cheat
2017 No Light and No Land Anywhere
2019 How Does It Start
2020 Kajillionaire
2021 No Man of God
2024 Out of My Mind
???? Nod If You Understand
Producer:
2009 A Plus D
2011 How to Cheat
2017 No Light and No Land Anywhere
2019 How Does It Start
2020 Kajillionaire
2021 No Man of God
2024 Out of My Mind
???? Count Backwards from Ten
???? Nod If You Understand
Writer:
2009 A Plus D
2011 How to Cheat
2017 No Light and No Land Anywhere
2019 How Does It Start
2020 Kajillionaire
2021 No Man of God
2024 Out of My Mind
???? Count Backwards from Ten
???? Nod If You Understand
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.