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Pierre Letarte

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Film Production

Camera Operator:
1977  Games of the XXI Olympiad
1977  J.A. Martin Photographer
1979  Going the Distance
1989  Juke-Bar

Cinematography:
1977  Games of the XXI Olympiad
1977  J.A. Martin Photographer
1978  Lundi - Une chaumière, un coeur
1979  Going the Distance
1989  Juke-Bar

Director:
1972  Just Another Job
1974  The Coldspring Project
1977  Games of the XXI Olympiad
1977  J.A. Martin Photographer
1978  Lundi - Une chaumière, un coeur
1979  Going the Distance
1982  Riopelle
1989  Juke-Bar

Director of Photography:
1970  Sad Song of Yellow Skin
1972  Just Another Job
1972  OK ... Camera
1972  The Ungrateful Land: Roch Carrier Remembers Ste-Justine
1974  The Coldspring Project
1977  Games of the XXI Olympiad
1977  J.A. Martin Photographer
1978  Lundi - Une chaumière, un coeur
1978  The Machine Age
1979  Going the Distance
1979  Kouchibouguac
1979  The Right Candidate for Rosedale
1980  Le Deal mexicain
1982  Riopelle
1982  The Great Chess Movie
1987  Our Last Days ... in Moscow
1989  Juke-Bar
1989  Lessons on Life
1989  Sous les draps, les étoiles
1990  Creative Process: Norman McLaren
1990  Dear America
1990  Oliver Jones in Africa
1992  Solo
1992  The Boys of St. Vincent: 15 Years Later
1993  Dieppe
1994  Rugged Gold
1994  The Boys of St. Vincent
1995  Dangerous Minds
1995  Sugartime
1997  ...First Do No Harm
1998  Jane Austen's Mafia!
2000  The Audrey Hepburn Story
2002  Random Passage
2003  Hunger Point
2009  Love & Savagery

Click the heading above to show or hide the list.

TV Production

Director of Photography:
2008  The Englishman's Boy

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.