Derek Ford (1932-1995)

Gallery Unavailable

Birthplace:
Tilbury - Essex - United Kingdom

Born:
September 6, 1932

Died:
May 19, 1995

Derek Ford (6 September 1932, Essex – 19 May 1995) was an English film director and writer, most famous for sexploitation films such as The Wife Swappers (1970), Suburban Wives (1971), Commuter Husbands (1972), Keep It Up, Jack (1973), Sex Express (1975) (also filmed in a graphic hardcore version), What's Up Nurse! (1977) and What's Up Superdoc! (1978).  Ford began as a writer in collaboration with his brother Donald Ford (died 1991), originally for radio before progressing to television (The Saint, Adam Adamant Lives!) and film (The Yellow Teddy Bears, The Black Torment, A Study in Terror and Hell Boats). Ford's first foray into directing, Los Tres Que Robbaran Una Banco, made in Spain in 1961 was an unhappy experience, around the same time Ford entered sexploitation when he was asked to re-edit and film additional sequences for a Swedish sex film called Svenska Flickor I Paris, eventually released as Paris Playgirls.  Ford's directing career began proper in the late sixties when he entered into partnership with producer Stanley Long, resulting in three films including the massively successful The Wife Swappers, released in America as The Swappers with the tag line "remember when all the guy next door wanted to borrow was your lawnmower?".  Ford's early seventies films were mainly shot in London and Maldon, Essex where he lived, while hardcore scenes meant for the European versions of his films were shot in secret at his own house, with his then wife Valerie acting as assistant, wardrobe & makeup. Interviewed in the book, Keeping the British End Up, fellow director Ray Selfe referred to Ford as "a male nymphomaniac", and themes of swinging, wife swapping and outwardly respectable people living double lives run throughout Ford's work.  In the 1970s the two most well-known Ford films in America were Groupie Girl (1970) and Sex Express (1975) starring Heather Deeley. Released as Diversions in the U.S, Sex Express premiered in the Kips Bay area of Manhattan and was nominated for best foreign film by the Adult Film Association of America.  In Italy he directed Erotic Fantasies (1978) aka Proibito erotico and back in England he quit as the director of Don't Open till Christmas (1984). In the mid-eighties after his divorce, Ford was left to bring up his two children on his own. At this time he attempted to find more mainstream work and dissociate himself from his past, but what little work came his way would drag him back to exploitation film. He directed La Casa delle Orchidee (The House of Orchids) in Italy in 1983, in which (returning to the themes of The Wife Swappers) a group of Italian women join a 'dare club', and co-directed a Hills Have Eyes rip-off in Sweden called Blood Tracks[1] which also features a brief cameo role from Ford as a location scout for a rock video (Ford's only other known acting role is as "Circus Santa Claus" in Don't Open Till Christmas). He was also involved in writing a never-made softcore sitcom called Park Lane. Ford's final film, The Urge to Kill, starring Peter Gordeno & Sarah Hope-Walker has never been given an official release, although clips from it appear in the 2005 documentary The Wild, Wild World of Dick Randall, and several bootlegs of it have surfaced over the years.[2] The film was eventually given an official DVD release in France on 1 April 2014 by the Uncut Movies label.

Additional information:

The Search Form


Director:
1969  A Promise of Bed
1970  I Am a Groupie
1970  The Wife Swappers
1971  Secret Rites
1972  Suburban Wives
1974  Commuter Husbands
1974  Keep It Up, Jack!
1975  The Girl from Starship Venus
1978  Forbidden Erotica
1978  What's Up Nurse
1978  What's Up Superdoc!
1983  The House of Orchids
1989  The Urge to Kill

Original Story:
1965  A Study in Terror
1969  A Promise of Bed
1970  I Am a Groupie
1970  The Wife Swappers
1971  Secret Rites
1972  Suburban Wives
1974  Commuter Husbands
1974  Keep It Up, Jack!
1975  The Girl from Starship Venus
1978  Forbidden Erotica
1978  What's Up Nurse
1978  What's Up Superdoc!
1983  The House of Orchids
1989  The Urge to Kill

Screenplay:
1963  The Yellow Teddy Bears
1964  The Black Torment
1965  A Study in Terror
1968  Corruption
1969  A Promise of Bed
1970  I Am a Groupie
1970  The Wife Swappers
1971  Secret Rites
1972  Suburban Wives
1974  Commuter Husbands
1974  Keep It Up, Jack!
1975  The Girl from Starship Venus
1978  Forbidden Erotica
1978  What's Up Nurse
1978  What's Up Superdoc!
1983  The House of Orchids
1989  The Urge to Kill

Supervising Editor:
1963  The Yellow Teddy Bears
1964  The Black Torment
1965  A Study in Terror
1968  Corruption
1969  A Promise of Bed
1970  I Am a Groupie
1970  The Wife Swappers
1971  Secret Rites
1972  Suburban Wives
1973  The House That Vanished
1974  Commuter Husbands
1974  Keep It Up, Jack!
1975  The Girl from Starship Venus
1978  Forbidden Erotica
1978  What's Up Nurse
1978  What's Up Superdoc!
1983  The House of Orchids
1989  The Urge to Kill

Writer:
1962  Stork Talk
1963  The Yellow Teddy Bears
1964  Saturday Night Out
1964  The Black Torment
1965  A Study in Terror
1965  Primitive London
1967  Reason for Sale
1967  Son of the City
1968  Corruption
1969  A Promise of Bed
1970  I Am a Groupie
1970  The Wife Swappers
1970  The World at Their Feet
1971  Secret Rites
1972  Suburban Wives
1973  The House That Vanished
1974  Commuter Husbands
1974  Keep It Up, Jack!
1974  Venom
1975  The Girl from Starship Venus
1978  Forbidden Erotica
1978  What's Up Nurse
1978  What's Up Superdoc!
1983  The House of Orchids
1984  Don't Open Till Christmas
1989  The Urge to Kill
1995  The Casting Couch

Writer:
1962  The Saint

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.