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Julius Urgiss (1873-1948)

Alias:
Julius Urgiß

Birthplace:
Anklam, Germany

Born:
August 6, 1873

Died:
March 12, 1948

Biography from TheMovieDB

German screenwriter and film critic.

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Additional information:

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Film Production

Screenplay:
1918  Der Trompeter von Säckingen
1918  Die blaue Mauritius
1919  Morphium
1922  Fräulein Julie
1924  Nanon
1926  Deutsche Herzen am deutschen Rhein
1926  Die elf schillschen Offiziere
1929  Auf der Reeperbahn nachts um halb eins
1929  Mutterliebe
1930  Money on the Street
1930  Scandalous Eva
1931  Luise, Queen of Prussia

Script Editor:
1918  Der Trompeter von Säckingen
1918  Die blaue Mauritius
1919  Morphium
1922  Fräulein Julie
1924  Nanon
1925  Bismarck, 1. Teil
1926  Deutsche Herzen am deutschen Rhein
1926  Die elf schillschen Offiziere
1929  Auf der Reeperbahn nachts um halb eins
1929  Mutterliebe
1930  Money on the Street
1930  Scandalous Eva
1931  Luise, Queen of Prussia

Writer:
1918  Der Trompeter von Säckingen
1918  Die blaue Mauritius
1918  Poor Lena!
1919  Das Licht am Fenster
1919  Morphium
1920  Hearts Are Trumps
1921  Children of Darkness - 1. The Man from Naples
1921  Der Erbe der van Diemen
1921  Die Schreckensnacht in der Menagerie
1922  Children of Darkness - 2. Fighting Worlds
1922  Der Fluch des Schweigens
1922  Fräulein Julie
1922  Revenge of the Bandits
1922  She and the Three
1922  Sodoms Ende
1923  Schlagende Wetter
1923  The Street
1924  Die Stimme des Herzens
1924  Nanon
1924  The Enchantress
1924  Zwei Menschen
1925  Bismarck, 1. Teil
1925  Im Namen des Kaisers
1926  Deutsche Herzen am deutschen Rhein
1926  Die elf schillschen Offiziere
1928  Hurrah! I'm Alive!
1928  The Tied Polo
1929  Auf der Reeperbahn nachts um halb eins
1929  Mutterliebe
1930  Money on the Street
1930  Scandalous Eva
1930  The chaste Joseph
1930  Wenn Du noch eine Heimat hast
1931  Luise, Queen of Prussia
1931  Panic in Chicago
1932  Vergessen Sie bitte nicht die Antenne zu erden

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.