Lee Neville (b. 1978)

Birthplace:
London, England, UK

Born:
January 22, 1978

Lee has been passionate about the entertainment industry since childhood, aiming to inspire others through his work. He has trained and worked professionally in Los Angeles, Florida, Paris, and London, performing as an actor, singer, and dancer in film, television, stage, and commercials. Additionally, he writes, directs, models, and coaches acting.  In 2024, Lee participated in a London Test Video Shoot. In 2022, Lee appeared in I Used to Be Famous (2022). Notable career highlights include a small role alongside Gal Gadot in Wonder Woman (2017), as well as writing, directing and acting in two of his own short plays and films, such as Not the Way It Feels (2010), Time Stops Moving (2010), This Dark Place (2010), Sing Me to Sleep (2010), Time Always Moving (2011), Three Times Moving: The Kiss Through Time (2014), Three Times Moving: A Time to Lie (2014) and Three Times Moving: Time Forgotten (2014).  In LA, Lee trained with Elisa Eliot and Art Wolff, and in the UK, he has been coached by Mel Churcher, and studied at the Actors Temple, RADA, Pinewood Film Studios, Lyric Theatre Hammersmith and the Theatre Royal Haymarket. He has learned from practitioners including Patrick Stewart, James McAvoy, Ewan McGregor, Jeremy Irons, Imelda Staunton, and Jane Krakowski.  Lee supports various children's charities, including Give Kids the World in Florida and the Duke of Edinburgh's Award in the UK.

Additional information:

The Search Form


Camera Operator:
2010  Not the Way It Feels

Casting:
2010  Not the Way It Feels

Casting Director:
2010  Not the Way It Feels
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

Costume Design:
2010  Not the Way It Feels
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

Director:
2010  Not the Way It Feels
2010  Time Stops Moving
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

Editor:
2010  Not the Way It Feels
2010  Time Stops Moving
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

Executive Producer:
2010  Not the Way It Feels
2010  Time Stops Moving
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

Music Supervisor:
2010  Not the Way It Feels
2010  Time Stops Moving
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

Producer:
2010  Not the Way It Feels
2010  Time Stops Moving
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

Writer:
2010  Not the Way It Feels
2010  Time Stops Moving
2011  Time Always Moving
2014  Three Times Moving: A Time to Lie
2014  Three Times Moving: The Kiss Through Time
2014  Three Times Moving: Time Forgotten

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.