A work in constant progress (and occasional regress).
Birthplace:
Nancy, Meurthe-et-Moselle, France
Born:
November 27, 1945
Died:
April 26, 2019
William Flageollet (born November 27, 1945, Nancy - Died 29 April 2019) is a French sound engineer in the music and film. He participated in mixing more than 120 films and directed the recording and mixing of hundreds of film scores. He was nominated several times for the César Award for Best Sound; he won it twice, in 1987 for Round Midnight, and in 1994 for Three Colors: Blue. Source: Article "William Flageollet" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Mixing Engineer:
1989 The Mortal Fortune
Music:
1983 My Other Husband
1989 The Mortal Fortune
Music Arranger:
1983 My Other Husband
1989 Brothers in Arms
1989 The Mortal Fortune
Music Editor:
1983 First Desires
1983 My Other Husband
1989 Brothers in Arms
1989 Lost Angels
1989 The Mortal Fortune
Recording Supervision:
1983 First Desires
1983 My Other Husband
1989 Brothers in Arms
1989 Lost Angels
1989 The Mortal Fortune
Scoring Mixer:
1971 Max and the Junkmen
1983 First Desires
1983 My Other Husband
1989 Brothers in Arms
1989 Lost Angels
1989 The Mortal Fortune
Sound:
1971 Max and the Junkmen
1983 First Desires
1983 My Other Husband
1987 The Two Crocodiles
1988 To Kill a Priest
1989 Brothers in Arms
1989 Lost Angels
1989 Once Around the Park
1989 The Mortal Fortune
1990 Lung Ta: The Forgotten Tibet
1994 U.S. Go Home
Sound Director:
1971 Max and the Junkmen
1983 First Desires
1983 My Other Husband
1987 The Two Crocodiles
1988 To Kill a Priest
1989 Brothers in Arms
1989 Lost Angels
1989 Once Around the Park
1989 The Mortal Fortune
1990 Lung Ta: The Forgotten Tibet
1994 U.S. Go Home
1996 Line of Life
Sound Engineer:
1971 Max and the Junkmen
1981 Choice of Arms
1983 First Desires
1983 My Other Husband
1987 The Two Crocodiles
1988 To Kill a Priest
1989 Brothers in Arms
1989 Lost Angels
1989 Once Around the Park
1989 The Mortal Fortune
1990 Lung Ta: The Forgotten Tibet
1994 U.S. Go Home
1996 Line of Life
Sound Mixer:
1971 Max and the Junkmen
1981 Choice of Arms
1983 First Desires
1983 My Other Husband
1985 Sincerely Charlotte
1987 Subway to the Stars
1987 The Two Crocodiles
1988 Camille Claudel
1988 El Dorado
1988 To Kill a Priest
1989 Brothers in Arms
1989 Lost Angels
1989 Music Box
1989 Once Around the Park
1989 The Mortal Fortune
1989 Wedding morning
1990 Lung Ta: The Forgotten Tibet
1994 U.S. Go Home
1996 Line of Life
1999 The Port of Love, Reinette l'Oranaise
2000 T'aime
2004 Black Mor's Island
Sound Re-Recording Mixer:
1971 Max and the Junkmen
1981 Choice of Arms
1983 First Desires
1983 My Other Husband
1985 Sincerely Charlotte
1987 Subway to the Stars
1987 The Two Crocodiles
1988 Camille Claudel
1988 El Dorado
1988 The Cannibals
1988 The Murdered House
1988 To Kill a Priest
1989 Brothers in Arms
1989 Deux
1989 Lost Angels
1989 Music Box
1989 Once Around the Park
1989 The Mortal Fortune
1989 Wedding morning
1990 Lung Ta: The Forgotten Tibet
1991 The Double Life of Véronique
1991 The Jackpot!
1993 Three Colors: Blue
1993 Travolta and Me
1994 U.S. Go Home
1995 Madame Butterfly
1996 Irma Vep
1996 Line of Life
1997 On Guard
1998 Man Is a Woman
1999 Season's Beatings
1999 The Children of the Marshland
1999 The Port of Love, Reinette l'Oranaise
2000 Marry Me
2000 Sentimental Destinies
2000 T'aime
2001 La Tour Montparnasse Infernale
2002 Demonlover
2004 Black Mor's Island
2004 The Box
2010 Conte de la frustration
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.