A work in constant progress (and occasional regress).
Birthplace:
St. Louis, Missouri, United States
Born:
June 15, 1970
Irene Taylor is an Oscar-nominated, multiple-Emmy, duPont and Peabody-winning director and producer. Her most recent film Trees And Other Entanglements was released by HBO at the end of 2023 and explores of our human obsession with the arboreal world. In 2022, Irene won a Columbia-duPont Award for her tragic investigation into one of the most trusted institutions in America, Leave No Trace: A Hidden History of The Boy Scouts (Hulu). Premiering at Sundance 2019 and later nominated for Special Merit in Documentary Filmmaking at the 2020 Primetime Emmy Awards, Moonlight Sonata: Deafness in Three Movements tells Irene's very personal story about her deaf son, her deaf father and Ludwig Van Beethoven, as he went deaf while composing his famous sonata. Irene began her documentary career in photojournalism. Her first feature documentary, Hear and Now, a documentary memoir about her deaf parents, won the Audience Award at Sundance in 2007, a Peabody and top awards at festivals around the world. It was also nominated by the Producers Guild of America in 2008 for Documentary of the Year. Her HBO true-crime documentary about two adolescent girls obsessed with an internet bogeyman, Beware the Slenderman, received nominations for an Emmy in 2017 and two Critics' Choice Awards, for Best Director and Best Documentary. Irene's additional credits include several theatrically-released short films, all with HBO. The Final Inch, about the global effort to eradicate polio, was nominated for an Academy award, multiple Emmys, and won the IDA's Pare Lorentz Award. After the 2010 Mexican Gulf oil spill, she followed the life of a single bird found coated in oil, and made Saving Pelican 895, which won an Emmy for its affecting music. Irene directed One Last Hug: Three Days At Grief Camp, which won the 2014 Prime Time Emmy for Best Children's Programming and in 2016 she released Open Your Eyes, about an aging couple living in the Himalayas determined to regain their sight. Irene's short opinion film on the impact of hearing technology and the human experience, Between Sound and Silence, was released by The New York Times Op-Docs. Irene's early career began in Kathmandu, Nepal, working as a Himalayan Mountain guide and author. Her book of photographic essays, Buddhas in Disguise, became the basis for her first documentary film, made in 1993 with UNICEF. She is a graduate of New York University and Columbia University's Graduate School of Journalism and was a producer for CBS Sunday Morning in 1998-2001. Irene founded Vermilion Films in 2006 and is a member of The Academy of Motion Picture Arts and Sciences and The Television Academy. She lives in Portland, Oregon.
Director:
2007 Hear and Now
2009 The Final Inch
2011 Saving Pelican 895
2014 One Last Hug
2015 Open Your Eyes
2016 Beware the Slenderman
2018 Homeless: The Soundtrack
2018 The Listening Project
2019 Moonlight Sonata: Deafness in Three Movements
2022 Leave No Trace
2023 Trees and Other Entanglements
2024 I Am: Celine Dion
Director of Operations:
2007 Hear and Now
2009 The Final Inch
2011 Saving Pelican 895
2014 One Last Hug
2015 Open Your Eyes
2016 Beware the Slenderman
2018 Beware of Slenderman
2018 Homeless: The Soundtrack
2018 The Listening Project
2019 Moonlight Sonata: Deafness in Three Movements
2022 Leave No Trace
2023 Trees and Other Entanglements
2024 I Am: Celine Dion
Director of Photography:
2007 Hear and Now
2009 The Final Inch
2011 Saving Pelican 895
2014 One Last Hug
2015 Open Your Eyes
2016 Beware the Slenderman
2018 Beware of Slenderman
2018 Homeless: The Soundtrack
2018 The Listening Project
2019 Moonlight Sonata: Deafness in Three Movements
2022 Leave No Trace
2023 Trees and Other Entanglements
2024 I Am: Celine Dion
Executive Producer:
2007 Hear and Now
2009 The Final Inch
2011 Saving Pelican 895
2014 One Last Hug
2015 Open Your Eyes
2016 Beware the Slenderman
2018 Beware of Slenderman
2018 Homeless: The Soundtrack
2018 The Listening Project
2019 Moonlight Sonata: Deafness in Three Movements
2022 Leave No Trace
2023 Trees and Other Entanglements
2024 I Am: Celine Dion
Producer:
2007 Hear and Now
2009 The Final Inch
2011 Saving Pelican 895
2014 One Last Hug
2015 Open Your Eyes
2016 Beware the Slenderman
2018 Beware of Slenderman
2018 Homeless: The Soundtrack
2018 The Listening Project
2019 Moonlight Sonata: Deafness in Three Movements
2022 Leave No Trace
2023 Trees and Other Entanglements
2024 I Am: Celine Dion
Writer:
2007 Hear and Now
2009 The Final Inch
2011 Saving Pelican 895
2014 One Last Hug
2015 Open Your Eyes
2016 Beware the Slenderman
2018 Beware of Slenderman
2018 Homeless: The Soundtrack
2018 The Listening Project
2019 Moonlight Sonata: Deafness in Three Movements
2022 Leave No Trace
2023 Trees and Other Entanglements
2024 I Am: Celine Dion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.