A work in constant progress (and occasional regress).
Alias:
Adrienne Doré
Elizabeth Himmelsbach
Birthplace:
Coeur d'Alene, Idaho, USA
Born:
May 23, 1910
Died:
November 26, 1992
Adrienne Dore was born May 23, 1910 in Coeur d'Alene, Idaho. She moved to the Los Angeles, California area sometime before 1925; in that year she won the title of Miss Los Angeles and was first runner-up in the Miss America Pageant. Her first role was an uncredited part in 1928's The Valley of Hunted Men, produced by Action Pictures, a company that primarily released westerns. Adrienne's next film, Beyond London Lights, also in 1928, saw her in the lead role. In 1929 she was in Paramount's The Wild Party, as one of Clara Bow's troupe of good-time college girls. A couple of comedy shorts followed and then she had a small role in Pointed Heels (1929), an early talkie musical which starred William Powell, Helen Kane and Fay Wray. After a couple more shorts Adrienne was signed to Warner Bros. and her first appearance with that studio was a small role in 1932's Union Depot starring Douglas Fairbanks Jr. and Joan Blondell. Alias the Doctor (1932) was next and she was the film's second female lead. Adrienne was in six more films for Warner Bros. including The Rich Are Always with Us, where she plays a pivotal role, The Expert, Play Girl, The Famous Ferguson Case, Two Seconds, and Street of Women. All were released in 1932 and she had a combination of prominent and uncredited roles in those films. After her time at Warner Bros. concluded, only four more films were in Adrienne's future, uncredited roles in The Thirteenth Guest and The Girl from Calgary, a small role in 1933's Love, Honor and Oh, Baby!, and the lead in 1934's B-crime picture Undercover Men for independent Booth Productions. Adrienne Dore died November 26, 1992 in Woodland Hills, Los Angeles, California.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.