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Norma Talmadge (1894-1957)

Alias:
Norma Marie Talmadge

Birthplace:
Jersey City, New Jersey, USA

Born:
May 26, 1894

Died:
December 24, 1957

Biography from TheMovieDB

Norma Talmadge started her career in one-reelers in 1909 for Vitagraph, playing bit roles as a young teenager starting. As she continually worked at the studio over the next several years, her parts grew until she frequently started as the leading lady.  Her young promising career got a huge boost after her marriage to exhibitor Joseph M. Schenck. Together, they formed the Norma Talmadge Film Corporation in 1917 and began producing Star vechiles for Talmadge. Specializing in melodramas and woman’s pictures, Talmadge became one of the biggest stars of the 1920s, starting in hits such as Smilin’ Through, Secrets, The Lady, and Kiki.  With her star already fading when the talkie revolution swept Hollywood, Talmadge made just two sound films before retiring from the screen. Although largely forgotten today, Talmadge was a pioneering producer and director who stood as one of the most popular and powerful women in early Hollywood.

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Additional information:

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Film Performances

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Film Production

Producer:
1917  Panthea
1918  De Luxe Annie
1919  The Isle of Conquest
1919  The Probation Wife
1920  The Branded Woman
1920  Yes or No
1921  Love's Redemption
1921  The Passion Flower
1921  The Sign on the Door
1921  The Wonderful Thing
1922  Smilin' Through
1922  The Eternal Flame
1923  Ashes of Vengeance
1923  The Song of Love
1923  The Voice from the Minaret
1923  Within the Law
1924  Secrets
1924  The Only Woman
1925  The Lady
1926  Kiki
1927  Camille
1927  The Dove
1928  The Woman Disputed
1929  New York Nights

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.