A work in constant progress (and occasional regress).
Alias:
Bill Jackson
Glen Vincent Davis
Glenn Vincent Davis
Винченцо Мусолино
Birthplace:
Benestare, Calabria, Italy
Born:
May 9, 1930
Died:
May 9, 1969
Vincenzo Musolino (9 May 1930 – 9 May 1969) was an Italian actor, director, producer and screenwriter. Musolino was born in Reggio Calabria into a humble family, and lived as a fisherman. During the military service he held in Venice, he was chosen by Renato Castellani for the leading role of Antonio in the neorealist drama Two Cents Worth of Hope. Following the success of the film, Musolino appeared in several films, mainly in supporting roles. In 1964, he dedicated himself to the production of genre films, often working with director Edoardo Mulargia, with whom he also wrote several screenplays. In 1968, one year before his premature death, he was the director to two low-budget Spaghetti Westerns, in which he was credited as Glenn Vincent Davis.
Director:
1968 May God Forgive You... But I Won't
1969 Quintana: Dead or Alive
Executive Producer:
1965 Why Go On Killing?
1968 May God Forgive You... But I Won't
1969 Quintana: Dead or Alive
Producer:
1965 Why Go On Killing?
1966 Go with God, Gringo
1967 Cjamango
1968 May God Forgive You... But I Won't
1969 Quintana: Dead or Alive
Screenplay:
1965 Why Go On Killing?
1966 Go with God, Gringo
1967 Cjamango
1967 Don't Wait, Django… Shoot!
1968 May God Forgive You... But I Won't
1969 Quintana: Dead or Alive
Story:
1965 Why Go On Killing?
1966 Go with God, Gringo
1967 Cjamango
1967 Don't Wait, Django… Shoot!
1968 May God Forgive You... But I Won't
1969 Quintana: Dead or Alive
Writer:
1965 Why Go On Killing?
1966 Go with God, Gringo
1967 Cjamango
1967 Don't Wait, Django… Shoot!
1968 May God Forgive You... But I Won't
1969 Quintana: Dead or Alive
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.