A work in constant progress (and occasional regress).
Alias:
Michael Dibb
Mike Dibb (born Wharfedale, Bradford, West Yorkshire, 29 April 1940) is an English documentary filmmaker. In almost half a century of making films mainly for television – on subjects including cinema, literature, art, jazz, sport and popular culture – "he has defined and re-defined not only the televisual art documentary genre but has been able to make moving image pieces as a form of self portraiture". Dibb has made many acclaimed films, including on Federico García Lorca, C. L. R. James, Astor Piazzolla, Miles Davis, Keith Jarrett, Barbara Thompson and other notable subjects. In the words of Sukhdev Sandhu in The Guardian: "In a career spanning almost five decades, it's possible Dibb has shaped more ideas and offered more ways of seeing than any other TV documentarian of his generation." Mike Dibb is the father of film director Saul Dibb.
Director:
1967 The Nomad
1968 One to One: Jean-Luc Godard Speaks
1972 Bette Davis
1976 Beyond a Boundary
1979 Pig Earth
1979 The Country and the City
1980 Parting Shots from Animals
1984 CLR James Talking to Stuart Hall
1985 About Time
1985 Studs Terkel's Chicago
1986 The Spirit of Lorca
1994 A Telling Eye: The Work of John Berger
1995 The Further Adventures of Don Quixote
1995 Typically British: A Personal History of British Cinema
2001 The Miles Davis Story
2004 Edward Said: The Last Interview
2004 Keith Jarrett: The Art of Improvisation
2009 Personally Speaking: A Long Conversation with Stuart Hall
2012 Barbara Thompson: Playing Against Time
???? Rex Harrison at the N.F.T.
Producer:
1967 The Nomad
1968 One to One: Jean-Luc Godard Speaks
1972 Bette Davis
1976 Beyond a Boundary
1979 Pig Earth
1979 The Country and the City
1980 Parting Shots from Animals
1984 CLR James Talking to Stuart Hall
1985 About Time
1985 Studs Terkel's Chicago
1986 The Spirit of Lorca
1991 Appalachian Journey
1994 A Telling Eye: The Work of John Berger
1995 The Further Adventures of Don Quixote
1995 Typically British: A Personal History of British Cinema
2001 The Miles Davis Story
2004 Edward Said: The Last Interview
2004 Keith Jarrett: The Art of Improvisation
2009 Personally Speaking: A Long Conversation with Stuart Hall
2012 Barbara Thompson: Playing Against Time
???? Rex Harrison at the N.F.T.
Writer:
1967 The Nomad
1968 One to One: Jean-Luc Godard Speaks
1972 Bette Davis
1976 Beyond a Boundary
1979 Pig Earth
1979 The Country and the City
1980 Parting Shots from Animals
1984 CLR James Talking to Stuart Hall
1985 About Time
1985 Studs Terkel's Chicago
1986 The Spirit of Lorca
1991 Appalachian Journey
1994 A Telling Eye: The Work of John Berger
1995 The Further Adventures of Don Quixote
1995 Typically British: A Personal History of British Cinema
2001 The Miles Davis Story
2004 Edward Said: The Last Interview
2004 Keith Jarrett: The Art of Improvisation
2009 Personally Speaking: A Long Conversation with Stuart Hall
2012 Barbara Thompson: Playing Against Time
???? Rex Harrison at the N.F.T.
Director:
1972 Ways of Seeing
1990 American Patchwork: Songs and Stories of America
Producer:
1972 Ways of Seeing
1990 American Patchwork: Songs and Stories of America
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.