A work in constant progress (and occasional regress).
Alias:
Merzbow
秋田昌美
Birthplace:
Tokyo
Born:
December 19, 1956
Masami Akita, better known by his stage name Merzbow, is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists. (Wikipedia)
Cinematography:
1995 Injured College Girl
Director:
1990 Lost Paradise: Riding Habit Harakiri
1995 Bandage Anatomy Woman
1995 Injured College Girl
Music:
1990 Female Harakiri: Celebration
1990 Lost Paradise: Riding Habit Harakiri
1990 School Girl: Harakiri
1992 The Sequence of Parallel Bars
1992 True Romance: Blood Orgy of the She Dolls
1992 True Romance: Live at MOMA
1992 True Romance: Live at Mandala 2
1992 True Romance: Live at Nice, France
1992 True Romance: Pleasure Room of Anti Education
1994 The Dead Man 2: Return of the Dead Man
1995 Bandage Anatomy Woman
1995 Injured College Girl
1998 Asphalto
1998 Beyond Ultra Violence: Uneasy Listening by Merzbow
1999 Routemaster
2001 Scanning of Modulations
2004 Nameless
2013 Newscaster/Dragon/Maggots
Script:
1990 Female Harakiri: Celebration
1990 Lost Paradise: Riding Habit Harakiri
1990 School Girl: Harakiri
1992 The Sequence of Parallel Bars
1992 True Romance: Blood Orgy of the She Dolls
1992 True Romance: Live at MOMA
1992 True Romance: Live at Mandala 2
1992 True Romance: Live at Nice, France
1992 True Romance: Pleasure Room of Anti Education
1994 The Dead Man 2: Return of the Dead Man
1995 Bandage Anatomy Woman
1995 Injured College Girl
1998 Asphalto
1998 Beyond Ultra Violence: Uneasy Listening by Merzbow
1999 Routemaster
2001 Scanning of Modulations
2004 Nameless
2013 Newscaster/Dragon/Maggots
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.