A work in constant progress (and occasional regress).
Alias:
Katrin Poola
Born:
April 29, 1955
Katrin Laur (née Poola; born April 29, 1955, in Tartu, Estonia) is an author, film director, and professor who currently lives in Estonia and Germany. In 1973 in Soviet-occupied Tallinn she graduated from a school that gave an excellent command of English (Tallinn Secondary School N°7), she then had different jobs. Laur learned photography at the Tallinn Technical School N°2 and studied philosophy for one year at the Moscow State University. From 1977 to 1982 Laur studied feature film directing at the Moscow State Institute of Cinematography (VGIK), in the masterclass of Sergey Gerasimov, and graduated in 1982 with a diploma summa cum laude (diploma film: “Kolm tundi rongi väljumiseni” – “Three Hours before the Train leaves.”). After graduating from the film school she left the Soviet Union with her then-husband, a Colombian fellow student, and their three-year-old daughter. She applied for political asylum in Munich, Germany, which was granted to her two years later. In Munich, she again worked different jobs, studied German at the Ludwig Maximilian University, and made a couple of documentaries for the Bavarian TV: 1987 – “Revolution aus dem Salon” – “Revolution from a Salon” – about Russian female dissidents.
Animation Supervisor:
2019 Armed Lullaby
Co-Producer:
2011 The Graveyard Keeper's Daughter
2019 Armed Lullaby
Director:
2006 Ruudi
2011 The Graveyard Keeper's Daughter
2019 Armed Lullaby
Writer:
2006 Ruudi
2009 Vasha
2011 The Graveyard Keeper's Daughter
2019 Armed Lullaby
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.