A work in constant progress (and occasional regress).
Birthplace:
San Francisco, California, USA
Born:
January 22, 1932
Noël Burch (born 1932) is an American film theorist and movie maker who moved to France at a young age. Burch is known for his contribution to terms commonly used by film scholars (such as institutional mode of representation (IMR)) and for his theories compiled in books such as Theory of Film Practice or La lucarne de L'Infini.
Assistant Director:
1960 Le Bel Âge
Cinematography:
1960 Le Bel Âge
1967 Marie et le Curé
Director:
1960 Le Bel Âge
1965 Noviciat
1967 Marie et le Curé
1968 La première vague
1969 Alain Robbe-Grillet
1970 Rome Is Burning: Portrait of Shirley Clarke
1979 Correction, Please: or, How We Got into the Pictures
1981 Das Jahr der Leibwache
1983 The Impersonation
1985 What Do Those Old Films Mean?
1996 Red Hollywood
1998 Aller simple (Tres historias del Río de la Plata)
2010 The Forgotten Space
Editor:
1960 Le Bel Âge
1964 Sérénade pour Mojacar
1965 Noviciat
1967 Josef von Sternberg - From Silence Comes Another
1967 Marie et le Curé
1968 La première vague
1969 Alain Robbe-Grillet
1970 Rome Is Burning: Portrait of Shirley Clarke
1979 Correction, Please: or, How We Got into the Pictures
1981 Das Jahr der Leibwache
1983 The Impersonation
1985 What Do Those Old Films Mean?
1996 Red Hollywood
1998 Aller simple (Tres historias del Río de la Plata)
2010 The Forgotten Space
Idea:
1960 Le Bel Âge
1964 Sérénade pour Mojacar
1965 Noviciat
1967 Josef von Sternberg - From Silence Comes Another
1967 Marie et le Curé
1968 La première vague
1969 Alain Robbe-Grillet
1970 Rome Is Burning: Portrait of Shirley Clarke
1979 Correction, Please: or, How We Got into the Pictures
1980 Exterior Night
1981 Das Jahr der Leibwache
1983 The Impersonation
1985 What Do Those Old Films Mean?
1996 Red Hollywood
1998 Aller simple (Tres historias del Río de la Plata)
2010 The Forgotten Space
Producer:
1960 Le Bel Âge
1964 Sérénade pour Mojacar
1965 Noviciat
1967 Josef von Sternberg - From Silence Comes Another
1967 Marie et le Curé
1968 La première vague
1969 Alain Robbe-Grillet
1970 Rome Is Burning: Portrait of Shirley Clarke
1979 Correction, Please: or, How We Got into the Pictures
1980 Exterior Night
1981 Das Jahr der Leibwache
1983 The Impersonation
1985 What Do Those Old Films Mean?
1996 Red Hollywood
1998 Aller simple (Tres historias del Río de la Plata)
2010 The Forgotten Space
Writer:
1956 Recreation
1960 Le Bel Âge
1964 Sérénade pour Mojacar
1965 Noviciat
1967 Josef von Sternberg - From Silence Comes Another
1967 Marie et le Curé
1968 La première vague
1969 Alain Robbe-Grillet
1970 Rome Is Burning: Portrait of Shirley Clarke
1979 Correction, Please: or, How We Got into the Pictures
1980 Exterior Night
1981 Das Jahr der Leibwache
1983 The Impersonation
1985 What Do Those Old Films Mean?
1996 Red Hollywood
1998 Aller simple (Tres historias del Río de la Plata)
2010 The Forgotten Space
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.