Noël Burch (b. 1932)

Birthplace:
San Francisco, California, USA

Born:
January 22, 1932

Noël Burch (born 1932) is an American film theorist and movie maker who moved to France at a young age. Burch is known for his contribution to terms commonly used by film scholars (such as institutional mode of representation (IMR)) and for his theories compiled in books such as Theory of Film Practice or La lucarne de L'Infini.

Additional information:

The Search Form


Assistant Director:
1960  Le Bel Âge

Cinematography:
1960  Le Bel Âge
1967  Marie et le Curé

Director:
1960  Le Bel Âge
1965  Noviciat
1967  Marie et le Curé
1968  La première vague
1969  Alain Robbe-Grillet
1970  Rome Is Burning: Portrait of Shirley Clarke
1979  Correction, Please: or, How We Got into the Pictures
1981  Das Jahr der Leibwache
1983  The Impersonation
1985  What Do Those Old Films Mean?
1996  Red Hollywood
1998  Aller simple (Tres historias del Río de la Plata)
2010  The Forgotten Space

Editor:
1960  Le Bel Âge
1964  Sérénade pour Mojacar
1965  Noviciat
1967  Josef von Sternberg - From Silence Comes Another
1967  Marie et le Curé
1968  La première vague
1969  Alain Robbe-Grillet
1970  Rome Is Burning: Portrait of Shirley Clarke
1979  Correction, Please: or, How We Got into the Pictures
1981  Das Jahr der Leibwache
1983  The Impersonation
1985  What Do Those Old Films Mean?
1996  Red Hollywood
1998  Aller simple (Tres historias del Río de la Plata)
2010  The Forgotten Space

Idea:
1960  Le Bel Âge
1964  Sérénade pour Mojacar
1965  Noviciat
1967  Josef von Sternberg - From Silence Comes Another
1967  Marie et le Curé
1968  La première vague
1969  Alain Robbe-Grillet
1970  Rome Is Burning: Portrait of Shirley Clarke
1979  Correction, Please: or, How We Got into the Pictures
1980  Exterior Night
1981  Das Jahr der Leibwache
1983  The Impersonation
1985  What Do Those Old Films Mean?
1996  Red Hollywood
1998  Aller simple (Tres historias del Río de la Plata)
2010  The Forgotten Space

Producer:
1960  Le Bel Âge
1964  Sérénade pour Mojacar
1965  Noviciat
1967  Josef von Sternberg - From Silence Comes Another
1967  Marie et le Curé
1968  La première vague
1969  Alain Robbe-Grillet
1970  Rome Is Burning: Portrait of Shirley Clarke
1979  Correction, Please: or, How We Got into the Pictures
1980  Exterior Night
1981  Das Jahr der Leibwache
1983  The Impersonation
1985  What Do Those Old Films Mean?
1996  Red Hollywood
1998  Aller simple (Tres historias del Río de la Plata)
2010  The Forgotten Space

Writer:
1956  Recreation
1960  Le Bel Âge
1964  Sérénade pour Mojacar
1965  Noviciat
1967  Josef von Sternberg - From Silence Comes Another
1967  Marie et le Curé
1968  La première vague
1969  Alain Robbe-Grillet
1970  Rome Is Burning: Portrait of Shirley Clarke
1979  Correction, Please: or, How We Got into the Pictures
1980  Exterior Night
1981  Das Jahr der Leibwache
1983  The Impersonation
1985  What Do Those Old Films Mean?
1996  Red Hollywood
1998  Aller simple (Tres historias del Río de la Plata)
2010  The Forgotten Space

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At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.