A work in constant progress (and occasional regress).
Birthplace:
West Babylon, New York, USA
Born:
August 28, 1981
Daniel Deacon (born August 28, 1981) is an American composer and electronic musician based in Baltimore, Maryland. Deacon is renowned for his live shows, where large-scale audience participation and interaction is often a major element of the performance. Since 2003, he has released five solo albums, including 2015's Gliss Riffer, released by Domino Records. His work as a film composer includes scoring the 2021 documentaries All Light, Everywhere, and Ascension, both released as soundtrack albums by Milan Records, as well as Francis Ford Coppola's Twixt (with Osvaldo Golijov). His fifth solo studio album, titled Mystic Familiar, was released January 31, 2020, on Domino. Description above from the Wikipedia article Dan Deacon, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Executive Producer:
2013 Live Forever as You Are Now with Alan Resnick
Music:
2013 Live Forever as You Are Now with Alan Resnick
2023 Minted
2025 The Thinking Game
???? Manger
Original Music Composer:
2007 Ultimate Reality
2011 Twixt
2013 Live Forever as You Are Now with Alan Resnick
2014 Unedited Footage of a Bear
2016 Rat Film
2017 Growing Girl
2018 Hi I Need to Be Loved
2019 And We Go Green
2019 Dirt Daughter
2019 Subject to Review
2019 Well Groomed
2021 All Light, Everywhere
2021 Ascension
2021 Strawberry Mansion
2022 Dear Thirteen
2022 Eyeballs in the Darkness
2022 Hustle
2023 Margie Soudek's Salt and Pepper Shakers
2023 Minted
2023 Order for Pickup
2024 Rez Ball
2024 Venom: The Last Dance
2024 Vitalik: An Ethereum Story
2024 We Can Be Heroes
2025 André is an Idiot
2025 The Thinking Game
2025 You Can Go Home Whenever You Want
???? Manger
???? The Preakness
Original Music Composer:
2024 Omnivore
2024 What's Next? The Future with Bill Gates
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.