A work in constant progress (and occasional regress).
Birthplace:
Warsaw, Mazowieckie, Poland
Born:
January 4, 1940
Died:
February 14, 2018
Film and documentary director. He was born on January 4, 1940, in Warsaw. He studied painting at the Warsaw Academy of Fine Arts and was also associated with the Student Satirical Theatre STS (1958-1961), where he performed as an actor. A graduate of the Directing Department of the Film School in Łódź (1966). At the beginning of his career, he cooperated with the Łódź Educational Film Studio, working on the set of numerous short films during the two years he spent there. In 1968, he joined the "Tor" Film Studio. He made his debut with the television short film Monidło (1969) based on short stories by Jan Himilsbach. His two subsequent short films made in 1971 – Piżama/Pajamas based on the prose by Leszek Płażewski and Meta based on the story by Marek Nowakowski – represent similar poetics of little realism. Given its controversial appeal, Meta (which exposed social acceptance for cunning and corruption) was withheld for nine years (it premiered in 1980). Shown at the Festival in Gdańsk in 1981, the film received a Special Award. The first cinema film Krauze directed was the psychological drama Palec boży/God's Finger (1972) based on the novel by Tadeusz Zawierucha. Also the director's subsequent films were often based on the prose of contemporary authors: Strach/Fear (1975), Party przy świecach/Candlelight Dinner (1980), Gas (1981), Prognoza pogody/Weather Forecast (1982, Grand Prix at the San Remo Festival), Dziewczynka z hotelu Excelsior/The Girl from the Excelsior Hotel (1988), Akwarium/Fish Tank (1995, TV series). All his films are characterised by a heightened sensitivity towards the individual and the complex psychological portrayal of characters. Since 1990, Krauze has been directing mainly documentaries devoted to various artists, including Pisarz/The Writer (1994) by Witold Zalewski, Preisner, czyli droga do sukcesu/Preisner, Or the Path To Success (1995), Układanie życia/Settling Life (1997) about Witold Woroszylski, Idąc, spotykając…/Walking, meeting... (1999) about Stanisław Różewicz, Ćwiczenia z niepamięci/Exercise in Oblivion (2004) about Janusz Morgenstern, and Radość pisania/The Joy of Writing (2005) about Wisława Szymborska. His two documentary films made in 1998 – Szwed z „Wesela”, czyli niezdrowo i romantycznie/The Swede from "The Wedding", Or Insalubrious and Romantic, and Życie wewnętrzne, czyli hobby/Inner Life, Or the Hobby – won awards at the Short Film Festival in Kraków. He returned to feature films in 2011 with Czarny czwartek. Janek Wiśniewski padł /Black Thursday. Janek Wisniewski’s Down, a reconstruction of the dramatic events of December 1070 in Gdynia, for which he received numerous awards, including the FIPRESCI award at the festival in Montreal. Krauze died on 14 February 2018 of a heart attack at the age of 78.
Dialogue:
1981 Meta
Director:
1960 Architecture in the Open Air
1964 Behind the Screen
1968 Cudów nie ma
1970 Monidło
1971 Piżama
1973 God's Finger
1975 Strach
1980 Party przy świecach
1980 Podróż do Arabii
1980 The Pad
1981 Meta
1983 The Weather Forecast
1987 Stacja
1988 A Little Girl from the Hotel 'Excelsior'
1996 Aquarium
2004 To the Offspring
2011 Black Thursday
2016 Smolensk
Director of Photography:
1960 Architecture in the Open Air
1964 Behind the Screen
1968 Cudów nie ma
1970 Monidło
1971 Piżama
1973 God's Finger
1975 Strach
1980 Party przy świecach
1980 Podróż do Arabii
1980 The Pad
1981 Meta
1983 The Weather Forecast
1987 Stacja
1988 A Little Girl from the Hotel 'Excelsior'
1996 Aquarium
2004 To the Offspring
2011 Black Thursday
2016 Smolensk
First Assistant Director:
1960 Architecture in the Open Air
1964 Behind the Screen
1968 Cudów nie ma
1970 Monidło
1971 Kaszëbë
1971 Piżama
1973 God's Finger
1975 Strach
1980 Party przy świecach
1980 Podróż do Arabii
1980 The Pad
1981 Meta
1983 The Weather Forecast
1987 Stacja
1988 A Little Girl from the Hotel 'Excelsior'
1996 Aquarium
2004 To the Offspring
2011 Black Thursday
2016 Smolensk
Screenplay:
1960 Architecture in the Open Air
1964 Behind the Screen
1968 Cudów nie ma
1970 Monidło
1971 Kaszëbë
1971 Piżama
1973 God's Finger
1975 Strach
1980 Party przy świecach
1980 Podróż do Arabii
1980 The Pad
1981 Meta
1983 The Weather Forecast
1987 Stacja
1988 A Little Girl from the Hotel 'Excelsior'
1996 Aquarium
2004 To the Offspring
2011 Black Thursday
2016 Smolensk
Storyboard Assistant:
1960 Architecture in the Open Air
1964 Behind the Screen
1968 Cudów nie ma
1970 Monidło
1971 Kaszëbë
1971 Piżama
1973 God's Finger
1975 Strach
1980 Party przy świecach
1980 Podróż do Arabii
1980 The Pad
1981 Meta
1983 The Weather Forecast
1987 Stacja
1988 A Little Girl from the Hotel 'Excelsior'
1996 Aquarium
2004 To the Offspring
2011 Black Thursday
2016 Smolensk
Writer:
1960 Architecture in the Open Air
1964 Behind the Screen
1968 Cudów nie ma
1970 Monidło
1971 Kaszëbë
1971 Piżama
1973 God's Finger
1975 Strach
1980 Party przy świecach
1980 Podróż do Arabii
1980 The Pad
1981 Meta
1983 The Weather Forecast
1987 Stacja
1988 A Little Girl from the Hotel 'Excelsior'
1996 Aquarium
2004 To the Offspring
2011 Black Thursday
2016 Smolensk
Writers' Assistant:
1960 Architecture in the Open Air
1964 Behind the Screen
1968 Cudów nie ma
1970 Monidło
1971 Kaszëbë
1971 Piżama
1973 God's Finger
1975 Strach
1980 Party przy świecach
1980 Podróż do Arabii
1980 The Pad
1981 Meta
1983 The Weather Forecast
1987 Stacja
1988 A Little Girl from the Hotel 'Excelsior'
1996 Aquarium
2004 To the Offspring
2011 Black Thursday
2016 Smolensk
Creator:
1977 Zaklęty dwór
Director:
1977 Zaklęty dwór
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.