A work in constant progress (and occasional regress).
Birthplace:
Lanzo d'Intelvi, Italy
Born:
June 9, 1930
Died:
May 6, 1997
Angelo Novi (9 June 1930 – 6 May 1997) worked for thirty years as the exclusive photographer with some of the most known Italian film directors of his time, such as Bernardo Bertolucci, Sergio Leone, and Pier Paolo Pasolini. He studied at the Brera Academy in Milan, and from 1952 on, started to work as a photojournalist. The ability to capture the decisive moment, inspired by idols like Henri Cartier-Bresson and Robert Capa, is an important gist for his photographic style, which later honed in his work as a set photographer. Novi told his own story through the scenic action captured by his photographs. Emphasis on the decisive moment, the contrast of proximity and distance, and the black and whites, are all attributes of Novi's work. With his photographs, Novi has made a comprehensive contribution to the cultural memory of the golden era of the Italian cinema. As a silent observer, he captured the moments at the film sets both behind the scenes and in action, revealing intimate aspects that cannot be found on the screen.
Set Photographer:
1965 Scouting in Palestine
Still Photographer:
1962 Family Diary
1962 Mamma Roma
1963 Corruption
1963 La bella di Lodi
1965 Love Meetings
1965 Scouting in Palestine
1965 The Gospel According to Matthew
1966 Django
1966 The Good, the Bad and the Ugly
1967 Io non protesto, io amo
1967 The Crazy Westerners
1968 Theorem
1969 Boot Hill
1970 The Conformist
1971 Duck, You Sucker
1971 The Fifth Cord
1972 Last Tango in Paris
1974 Run, Run, Joe!
1974 The Silk Worm
1976 1900
1981 Tragedy of a Ridiculous Man
1982 Talcum Powder
1984 Once Upon a Time in America
1986 Il Bi e il Ba
1987 The Last Emperor
1990 The Sheltering Sky
1993 Little Buddha
1995 The Star Maker
1996 Stealing Beauty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.