A work in constant progress (and occasional regress).
Robby Haynes is a multi-talented self styled actor, script writer & director starring in Fighting Talk , Space Bandits: Fight for Extant and appearing in Disney blockbuster live action remakes Will Smith Aladdin (2019) (2019) and Artemis Fowl (2020). The fact is, Robby was born and grew up in North London, UK in the mid-70s. It was difficult enough without being black, one of four siblings in a single parent (Catherine Sargeant) household struggling to make ends meet. The only escape from his impoverished existence was discovering at eleven years old, the joys of the theatre attached to his brand new secondary school. Robby finally found creative, expressive freedom there where he could hone and develop his chosen craft. He met some good, fun-loving friends, the teachers gravitated towards him, nurtured and encouraged him to explore his musical (piano, trumpet, drums, guitar) technical (lighting, effects, sound) writing, directing and acting abilities, appearing in every theatre production throughout his education. Completely immersed in the entertainment industry, Robby is now directing his debut films 'Fighting Talk' and 'Space Bandits: Fight For Extant'. He is an accomplished writer, actor, award-winning producer and casting agent, often spotted lurking on film and TV locations searching for emerging talents. He is firmly established in the film and music industry and is also known for music artists tour management, video producing and directing. Robby is kind but driven and passionate about his way of life. He can be tough and straight-talking on set but, when asked, he is honest in his opinions. His wish is to impart his industry knowledge to those that show similar traits, as his mentors did for him whilst growing up. Robby lives & works in London and Hertfordshire.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.