A work in constant progress (and occasional regress).
Birthplace:
Brooklyn, New York
Born:
November 14, 1900
Died:
December 2, 1990
Aaron Copland (November 14, 1900 – December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. Description above from the Wikipedia page Aaron Copland, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Conductor:
1961 Something Wild
Music:
1943 The North Star
1949 Idlers That Work
1952 Abstronic
1952 Three Installations
1958 Appalachian Spring
1961 Something Wild
1998 He Got Game
2017 The Opera House
Original Music Composer:
1939 Of Mice and Men
1939 The City
1940 Our Town
1943 The North Star
1945 The Cummington Story
1949 Idlers That Work
1949 The Heiress
1949 The Red Pony
1952 Abstronic
1952 Three Installations
1958 Appalachian Spring
1961 Something Wild
1998 He Got Game
2017 The Opera House
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.