A work in constant progress (and occasional regress).
Alias:
Марк Донской
Mark Semyonovich Donskoy[a] (6 March [O.S. 21 February] 1901 – 21 March 1981) was a Soviet film director, screenwriter, and studio administrative head. Donskoy was born in Odessa in a Jewish family. During the Civil War, he served in the Red Army (1921-1923), and was held captive by the White Russians for ten months. After he was freed, he was discharged from military service. He studied psychology and psychiatry at the Crimean Medical School. In 1925 he graduated from the legal department of the Faculty of Social Sciences of the Crimean M.V. Frunze University in Simferopol. He worked in investigative bodies, in the Supreme Court of the Ukrainian SSR, and in the bar association. He published a collection of short stories drawn from his life called "Prisoners" (1925). Donskoy began his career in film in 1926. He worked in the script department, but soon advanced as an assistant director in Moscow. Later he worked in Leningrad as an editing assistant. In 1935 he became the first Soviet dubbing director; he dubbed the American film The Invisible Man. Following this, he directed numerous films. He also worked from time to time as a studio administrator: in 1938–1941, and in 1945-1955 he was the administrative director of Soyuzdetfilm's film studio in Moscow; in 1942-1945 and in 1955-1957 he was director of the Kiev film studio; after 1957, he was director and art director of the Maxim Gorky film studio where he mentored Ousmane Sembène. His wife was the screenwriter Irina Borisovna Donskaya [ru] (1918–1983).
Director:
1927 In the Big City
1934 Song of Happiness
1938 The Childhood of Maxim Gorky
1939 My Apprenticeship
1940 My Universities
1941 The Romantics
1942 How the Steel Was Tempered
1944 Rainbow
1945 The Taras Family
1947 The Village Teacher
1950 Alitet Leaves for the Hills
1956 Mother
1957 The Horse That Cried
1959 Foma Gordeyev
1962 Hello, Children!
1966 A Mother's Heart
1967 Верность матери
1973 Nadezhda
1978 The Orlovs
Editor:
1927 In the Big City
1928 His Excellency
1934 Song of Happiness
1938 The Childhood of Maxim Gorky
1939 My Apprenticeship
1940 My Universities
1941 The Romantics
1942 How the Steel Was Tempered
1944 Rainbow
1945 The Taras Family
1947 The Village Teacher
1950 Alitet Leaves for the Hills
1956 Mother
1957 The Horse That Cried
1959 Foma Gordeyev
1962 Hello, Children!
1966 A Mother's Heart
1967 Верность матери
1973 Nadezhda
1978 The Orlovs
Screenplay:
1927 In the Big City
1928 His Excellency
1934 Song of Happiness
1938 The Childhood of Maxim Gorky
1939 My Apprenticeship
1940 My Universities
1941 The Romantics
1942 How the Steel Was Tempered
1944 Rainbow
1945 The Taras Family
1947 The Village Teacher
1950 Alitet Leaves for the Hills
1956 Mother
1957 The Horse That Cried
1959 Foma Gordeyev
1962 Hello, Children!
1966 A Mother's Heart
1967 Верность матери
1973 Nadezhda
1978 The Orlovs
Writer:
1927 In the Big City
1928 His Excellency
1934 Song of Happiness
1938 The Childhood of Maxim Gorky
1939 My Apprenticeship
1940 My Universities
1941 The Romantics
1942 How the Steel Was Tempered
1944 Rainbow
1945 The Taras Family
1947 The Village Teacher
1950 Alitet Leaves for the Hills
1956 Mother
1957 The Horse That Cried
1959 Foma Gordeyev
1962 Hello, Children!
1966 A Mother's Heart
1967 Верность матери
1973 Nadezhda
1978 The Orlovs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.