A work in constant progress (and occasional regress).
Assistant Director:
1986 Paticca-samuppada
Director:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Director of Photography:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1993 The Election Campaigners
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Editor:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1993 The Election Campaigners
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Producer:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1993 The Election Campaigners
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Screenplay:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1993 The Election Campaigners
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Sound:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1991 Die Frau vor mir
1993 Cage
1993 The Election Campaigners
1994 Deep Above
1995 Das zehnte Jahr
1995 Lisa und die Säbelzahntiger
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Sound Director:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1991 Die Frau vor mir
1993 Cage
1993 The Election Campaigners
1994 Deep Above
1995 Das zehnte Jahr
1995 Lisa und die Säbelzahntiger
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Sound Recordist:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1991 Die Frau vor mir
1991 Toward Jerusalem
1993 Cage
1993 The Election Campaigners
1994 Deep Above
1995 Das zehnte Jahr
1995 Lisa und die Säbelzahntiger
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Writer:
1986 Paticca-samuppada
1988 Josef Hauser - Klang und Raum
1989 80cm 5t
1991 Die Frau vor mir
1991 Toward Jerusalem
1993 Cage
1993 The Election Campaigners
1994 Deep Above
1995 Das zehnte Jahr
1995 Lisa und die Säbelzahntiger
1997 Am Stein
2000 An Echo from Europe - Vienna Art Orchestra on Tour
2002 Blind Spot: Hitler's Secretary
2008 Back To Africa
2011 Stoff der Heimat
2013 Im Augenblick. Die Historie und das Offene
2019 Die Tage wie das Jahr
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.