A work in constant progress (and occasional regress).
Alias:
Catherine Lucretia Shapere
Birthplace:
Chicago
Born:
May 27, 1963
Catherine Masud is an American-born filmmaker, residing in Bangladesh from 1995–2015. She now lives in the United States. She has collaborated with her husband & filmmaking partner Tareque Masud to make numerous shorts, documentaries and features, many of which have been nationally/internationally awarded and shown around the world. Since Tareque's untimely death in August 2011, Catherine has devoted herself to the archiving and preservation of his work, and the completion of their unfinished oeuvre.
Director:
1995 Song of Freedom
1997 VOICES OF CHILDREN
2000 Women and War
2001 Words of Freedom
2002 A Kind of Childhood
2005 Homeland
2009 Noroshundor
2023 A Double Life
Editor:
1995 Song of Freedom
1997 VOICES OF CHILDREN
2000 Women and War
2001 Words of Freedom
2002 A Kind of Childhood
2002 The Clay Bird
2005 Homeland
2009 Noroshundor
2023 A Double Life
Executive Producer:
1995 Song of Freedom
1997 VOICES OF CHILDREN
2000 Women and War
2001 Words of Freedom
2002 A Kind of Childhood
2002 The Clay Bird
2005 Homeland
2009 Noroshundor
2012 Return Journey
2023 A Double Life
Producer:
1995 Song of Freedom
1997 VOICES OF CHILDREN
2000 Women and War
2001 Words of Freedom
2002 A Kind of Childhood
2002 The Clay Bird
2005 Homeland
2009 Noroshundor
2012 Return Journey
2023 A Double Life
Screenplay:
1995 Song of Freedom
1997 VOICES OF CHILDREN
2000 Women and War
2001 Words of Freedom
2002 A Kind of Childhood
2002 The Clay Bird
2005 Homeland
2009 Noroshundor
2010 Runway
2012 Return Journey
2023 A Double Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.