A work in constant progress (and occasional regress).
Birthplace:
Kitakyushu, Fukuoka Prefecture, Japan
Born:
August 12, 1975
Yuki Tanada (タナダユキ, Tanada Yuki, born 12 August 1975) is a Japanese film director and screenwriter. Born in Fukuoka Prefecture, Tanada pursued theater in high school before entering the Image Forum Institute of the Moving Image to study filmmaking. Her independently produced film Moru won the grand prize at the 2001 Pia Film Festival. Her next work, Takada Wataru: A Japanese Original, a documentary on a Japanese folk singer, was featured at the 2003 Tokyo International Film Festival. She won the Directors Guild of Japan New Directors Award for her 2008 film One Million Yen Girl. She has written the scripts for many of her films as well as contributed the script to Mika Ninagawa's Sakuran. She has also directed for television. Description above from the Wikipedia article Yuki Tanada, licensed under CC BY-SA, full list of contributors on Wikipedia.
Director:
2002 Guinea
2004 Moon and Cherry
2006 Have a Nice Day
2007 Hatsuko's World
2008 Ain't No Tomorrows
2008 One Million Yen Girl
2012 The Cowards Who Looked to the Sky
2013 Mourning Recipe
2015 Round Trip Heart
2016 My Dad and Mr. Ito
2020 Romance Doll
2021 Cinematic Liars of Asahi-za
2022 My Broken Mariko
Novel:
2002 Guinea
2004 Moon and Cherry
2006 Have a Nice Day
2007 Hatsuko's World
2008 Ain't No Tomorrows
2008 One Million Yen Girl
2012 The Cowards Who Looked to the Sky
2013 Mourning Recipe
2015 Round Trip Heart
2016 My Dad and Mr. Ito
2020 Romance Doll
2021 Cinematic Liars of Asahi-za
2022 My Broken Mariko
Screenplay:
2002 Guinea
2004 Moon and Cherry
2006 Have a Nice Day
2007 Hatsuko's World
2008 Ain't No Tomorrows
2008 One Million Yen Girl
2012 The Cowards Who Looked to the Sky
2013 Mourning Recipe
2015 Round Trip Heart
2016 My Dad and Mr. Ito
2020 Romance Doll
2021 Cinematic Liars of Asahi-za
2022 My Broken Mariko
Writer:
2002 Guinea
2004 Moon and Cherry
2006 Have a Nice Day
2006 Sakuran
2007 Hatsuko's World
2008 Ain't No Tomorrows
2008 One Million Yen Girl
2012 The Cowards Who Looked to the Sky
2013 Mourning Recipe
2015 Round Trip Heart
2016 My Dad and Mr. Ito
2020 Romance Doll
2021 Cinematic Liars of Asahi-za
2022 My Broken Mariko
Creator:
2016 Tokyo Girl
Director:
2008 Aoi Yū × Yottsu no Uso Camouflage
2008 Weekly Yoko Maki
2012 Innocent
2013 Kaiki Daisakusen: Mystery File
2016 Tokyo Girl
2019 My Husband Won't Fit
2019 Tokyo Bachelors
2020 Hama no Asahi no Utsotsuki Domoto
2022 Prism
Screenstory:
2008 Aoi Yū × Yottsu no Uso Camouflage
2008 Weekly Yoko Maki
2012 Innocent
2013 Kaiki Daisakusen: Mystery File
2016 Tokyo Girl
2019 My Husband Won't Fit
2019 Tokyo Bachelors
2020 Hama no Asahi no Utsotsuki Domoto
2022 Prism
Writer:
2008 Aoi Yū × Yottsu no Uso Camouflage
2008 Weekly Yoko Maki
2012 Innocent
2013 Kaiki Daisakusen: Mystery File
2016 Tokyo Girl
2019 My Husband Won't Fit
2019 Tokyo Bachelors
2020 Hama no Asahi no Utsotsuki Domoto
2022 Prism
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.