A work in constant progress (and occasional regress).
Alias:
Guy Ernest Debord
Birthplace:
Paris, France
Born:
December 28, 1931
Died:
November 30, 1994
Guy Ernest Debord (December 28, 1931 - November 30, 1994) was a French Marxist theorist, writer, filmmaker, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International (SI). He was also briefly a member of Socialisme ou Barbarie.
Director:
1952 Howlings in Favour of De Sade
1959 On the Passage of a Few People through a Relatively Short Period of Time
1961 Critique of Separation
1974 The Society of the Spectacle
1975 Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1978 We Spin Around the Night Consumed by the Fire
Editor:
1952 Howlings in Favour of De Sade
1959 On the Passage of a Few People through a Relatively Short Period of Time
1961 Critique of Separation
1974 The Society of the Spectacle
1975 Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1978 We Spin Around the Night Consumed by the Fire
Idea:
1952 Howlings in Favour of De Sade
1959 On the Passage of a Few People through a Relatively Short Period of Time
1961 Critique of Separation
1974 The Society of the Spectacle
1975 Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1978 We Spin Around the Night Consumed by the Fire
1983 Koyaanisqatsi
Novel:
1952 Howlings in Favour of De Sade
1959 On the Passage of a Few People through a Relatively Short Period of Time
1961 Critique of Separation
1974 The Society of the Spectacle
1975 Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1978 We Spin Around the Night Consumed by the Fire
1983 Koyaanisqatsi
Original Film Writer:
1952 Howlings in Favour of De Sade
1959 On the Passage of a Few People through a Relatively Short Period of Time
1961 Critique of Separation
1974 The Society of the Spectacle
1975 Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1978 We Spin Around the Night Consumed by the Fire
1983 Koyaanisqatsi
2013 Venice 70: Future Reloaded
Screenplay:
1952 Howlings in Favour of De Sade
1959 On the Passage of a Few People through a Relatively Short Period of Time
1961 Critique of Separation
1974 The Society of the Spectacle
1975 Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1978 We Spin Around the Night Consumed by the Fire
1983 Koyaanisqatsi
2013 Venice 70: Future Reloaded
Writer:
1952 Howlings in Favour of De Sade
1959 On the Passage of a Few People through a Relatively Short Period of Time
1961 Critique of Separation
1974 The Society of the Spectacle
1975 Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
1978 We Spin Around the Night Consumed by the Fire
1983 Koyaanisqatsi
1995 Guy Debord, son art et son temps
2013 Venice 70: Future Reloaded
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.