A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
May 29, 1926
Died:
February 2, 2023
Louis Velle, born May 29, 1926 in Paris, is a French actor. Trained at the Conservatoire and at the Cours Simon, he has been married since 1949 to the writer, director and actress Frédérique Hébrard, with whom he had three children Catherine, Nicolas and François, director and screenwriter. If he began his career in the cinema, it was through television that he would rise to fame. Still quite discreet in L'Abonné de la ligne U (1964), the 1970s brought him a certain notoriety with La Demoiselle d'Avignon, L'Homme qui retour de loin and also Docteur Caraïbes. We can also mention The Strange Monsieur Duvallier (1979). A few years later, Louis Velle is still very present on the small screen with The Ambassador's Husband. But, if he shines on TV, the cinema also appeals to him: he is resplendent in The Driver's License. But also in A husband, he is a husband of which he shares the star with his wife Frédérique Hébrard. Active in the cinema, on television and in the theatre, Louis Velle has also signed several plays and written books, some of which in collaboration with his wife. He remains one of the most popular television actors to this day. He died February 2, 2023 at 96
Dialogue:
1965 The Spy Who Went Into Hell
Writer:
1965 The Spy Who Went Into Hell
1976 Un mari, c'est un mari
Creator:
1972 La Demoiselle d'Avignon
1993 The Castle of Olive Trees
Stage Director:
1966 At Theatre Tonight
1972 La Demoiselle d'Avignon
1993 The Castle of Olive Trees
Writer:
1966 At Theatre Tonight
1966 Comment ne pas épouser un milliardaire
1972 La Demoiselle d'Avignon
1993 The Castle of Olive Trees
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.