A work in constant progress (and occasional regress).
Birthplace:
Haifa, Israel
Born:
August 8, 1969
Cinematography:
1992 Plastic Venus - Quiet Noise
Director:
1992 Plastic Venus - Quiet Noise
1998 Sea Horses
2002 Broken Wings
2010 Intimate Grammar
2010 Sharon Amrani: Remember His Name
2014 Yona
2017 Saving Neta
2018 Voice Over
2021 Here We Are
2024 Pink Lady
Producer:
1992 Plastic Venus - Quiet Noise
1998 Sea Horses
2002 Broken Wings
2010 Intimate Grammar
2010 Sharon Amrani: Remember His Name
2014 Yona
2017 Saving Neta
2018 Voice Over
2021 Here We Are
2024 Pink Lady
Writer:
1992 Plastic Venus - Quiet Noise
1998 Sea Horses
2002 Broken Wings
2010 Intimate Grammar
2010 Sharon Amrani: Remember His Name
2014 Yona
2017 Saving Neta
2018 Voice Over
2021 Here We Are
2024 Pink Lady
Creator:
2003 Jerusalem Brew
2010 In therapie
2012 En Terapia
2012 Sessão de Terapia
2016 Terapia
2019 En terapia
2019 Just For Today
Director:
2003 Jerusalem Brew
2010 In therapie
2012 En Terapia
2012 Sessão de Terapia
2016 Terapia
2019 En terapia
2019 Just For Today
2023 Six Zeros
Original Series Creator:
2003 Jerusalem Brew
2008 In Treatment
2010 In therapie
2012 En Terapia
2012 Sessão de Terapia
2016 Terapia
2019 En terapia
2019 Just For Today
2023 Six Zeros
Story:
2003 Jerusalem Brew
2008 In Treatment
2010 In therapie
2012 En Terapia
2012 Sessão de Terapia
2016 Terapia
2019 En terapia
2019 Just For Today
2023 Six Zeros
Writer:
2003 Jerusalem Brew
2008 In Treatment
2010 In therapie
2012 En Terapia
2012 Sessão de Terapia
2013 Hostages
2016 Terapia
2019 En terapia
2019 Just For Today
2023 Six Zeros
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.