Gustavo Taretto (b. 1965)

Birthplace:
Buenos Aires, Argentina

Born:
January 1, 1965

Gustavo Taretto was born in Buenos Aires in 1965. In 1983 he started attending different photography workshops, black & white and color. At the same time, he studied music and started to attend to script and direction workshops. In 1993 he started working as a creative in an advertising agency. After 14 years, he reached the executive creative direction in Ogilvy Argentina. He received several awards in festivals arround the world, among others the Gold Lion in 2002.   In 1999 he joined the school of the master José Martinez Suarez. Where he wrote and directed 3 short films, “Las insoladas”, “Cien pesos” and “Medianeras”, which has received more than 40 international awards, including the Gran Prix in Clemont Ferrand, 2006. His fourth short film “Hoy no estoy” has been premiered in Locarno and received the Leopard of domain for the Best Short Film.

Additional information:

The Search Form


Director:
2002  Las insoladas
2006  Sidewalls
2007  Hoy no estoy
2010  Once Again
2011  Sidewalls
2014  Sunstrokes

Location Manager:
2002  Las insoladas
2006  Sidewalls
2007  Hoy no estoy
2010  Once Again
2011  Sidewalls
2014  Sunstrokes

Screenplay:
2002  Las insoladas
2006  Sidewalls
2007  Hoy no estoy
2010  Once Again
2011  Sidewalls
2014  Sunstrokes

Writer:
2002  Las insoladas
2006  Sidewalls
2007  Hoy no estoy
2010  Once Again
2011  Sidewalls
2014  Sunstrokes

Director:
2022  Amsterdam

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.