A work in constant progress (and occasional regress).
Birthplace:
Porto Alegre, Rio Grande do Sul, Brazil
Born:
May 12, 1949
Tizuka Yamasaki (born May 12, 1949) is a Brazilian film director. Daughter of Japanese immigrants, Yamasaki was one of the first women filmmakers in Brazil to achieve a successful and longstanding career. She and her peers learned filmmaking by working on the sets of well-established Cinema Novo directors such as Glauber Rocha and Nelson Pereira dos Santos. Yamasaki challenged the norms of Cinema Novo by increasing both the representation of women and the awareness of issues affecting women in Brazilian society. Her film style focuses on historical subjects and she uses the genre of melodrama to reconstruct Brazilian politics, history and culture. She established herself as one of the most important film directors of the 1980s. Her films discussed sexuality and traditional gender roles more openly within Brazilian cultural identity. Yamasaki initiated a “cinema of emotion” to comment on Brazil’s past and rework female figures’ experiences in Brazil’s history. During her career, especially during the final years of the Brazilian military dictatorship, Yamasaki has suffered censorship and funding issues with her films. In response to these challenges, she established her own production company in 1976, Centro de Produção e Comunicação (Production and Communication Center). Tizuka gained some critical acclaim with her 1980 film "Gaijin, Os Caminhos da Liberdade" (aka "Gaijin, a Brazilian Odyssey"), a story about Japanese immigration to Brazil. She has also achieved the audience's praise by directing movies starring children TV show hostess Xuxa, which have become extremely popular and a cornerstone in Brazilian pop culture. In 2003, she completed Gaijin 2 as a sequel to her debut film.
Director:
1980 Gaijin: A Brazilian Odyssey
1981 Cinema: Embaixador do Brasil
1983 Parahyba Mulher Macho
1985 Patriamada
1990 Crystal Moon
1997 O Noviço Rebelde
1998 Fica Comigo
1999 Xuxa Requebra
2000 Xuxa Popstar
2005 Gaijin: Ama-me Como Sou
2009 Xuxa and the Mystery of the Little Ugly Princess
2010 Aparecida - O Milagre
2014 Tomie
2015 Luz, Câmera, 50 Anos: O Pagador de Promessas - O Filme
2017 1817: A Revolução Esquecida
2017 Encantados
Executive Producer:
1980 Gaijin: A Brazilian Odyssey
1981 Cinema: Embaixador do Brasil
1983 Parahyba Mulher Macho
1984 Bete Balanço
1985 Patriamada
1990 Crystal Moon
1997 O Noviço Rebelde
1998 Fica Comigo
1999 Xuxa Requebra
2000 Xuxa Popstar
2005 Gaijin: Ama-me Como Sou
2009 Xuxa and the Mystery of the Little Ugly Princess
2010 Aparecida - O Milagre
2014 Tomie
2015 Luz, Câmera, 50 Anos: O Pagador de Promessas - O Filme
2017 1817: A Revolução Esquecida
2017 Encantados
Producer:
1980 Gaijin: A Brazilian Odyssey
1981 Cinema: Embaixador do Brasil
1983 Parahyba Mulher Macho
1984 Bete Balanço
1985 Patriamada
1990 Crystal Moon
1997 O Noviço Rebelde
1998 Fica Comigo
1999 Xuxa Requebra
2000 Xuxa Popstar
2005 Gaijin: Ama-me Como Sou
2009 Xuxa and the Mystery of the Little Ugly Princess
2010 Aparecida - O Milagre
2014 Tomie
2015 Luz, Câmera, 50 Anos: O Pagador de Promessas - O Filme
2017 1817: A Revolução Esquecida
2017 Encantados
Production Director:
1980 Gaijin: A Brazilian Odyssey
1980 The Age of the Earth
1981 Cinema: Embaixador do Brasil
1983 Parahyba Mulher Macho
1984 Bete Balanço
1985 Patriamada
1990 Crystal Moon
1997 O Noviço Rebelde
1998 Fica Comigo
1999 Xuxa Requebra
2000 Xuxa Popstar
2005 Gaijin: Ama-me Como Sou
2009 Xuxa and the Mystery of the Little Ugly Princess
2010 Aparecida - O Milagre
2014 Tomie
2015 Luz, Câmera, 50 Anos: O Pagador de Promessas - O Filme
2017 1817: A Revolução Esquecida
2017 Encantados
Screenplay:
1980 Gaijin: A Brazilian Odyssey
1980 The Age of the Earth
1981 Cinema: Embaixador do Brasil
1983 Parahyba Mulher Macho
1984 Bete Balanço
1985 Patriamada
1990 Crystal Moon
1997 O Noviço Rebelde
1998 Fica Comigo
1999 Xuxa Requebra
2000 Xuxa Popstar
2005 Gaijin: Ama-me Como Sou
2009 Xuxa and the Mystery of the Little Ugly Princess
2010 Aparecida - O Milagre
2014 Tomie
2015 Luz, Câmera, 50 Anos: O Pagador de Promessas - O Filme
2017 1817: A Revolução Esquecida
2017 Encantados
Set Designer:
1977 Tent of Miracles
1980 Gaijin: A Brazilian Odyssey
1980 The Age of the Earth
1981 Cinema: Embaixador do Brasil
1983 Parahyba Mulher Macho
1984 Bete Balanço
1985 Patriamada
1990 Crystal Moon
1997 O Noviço Rebelde
1998 Fica Comigo
1999 Xuxa Requebra
2000 Xuxa Popstar
2005 Gaijin: Ama-me Como Sou
2009 Xuxa and the Mystery of the Little Ugly Princess
2010 Aparecida - O Milagre
2014 Tomie
2015 Luz, Câmera, 50 Anos: O Pagador de Promessas - O Filme
2017 1817: A Revolução Esquecida
2017 Encantados
Writer:
1977 Tent of Miracles
1980 Gaijin: A Brazilian Odyssey
1980 The Age of the Earth
1981 Cinema: Embaixador do Brasil
1983 Parahyba Mulher Macho
1984 Bete Balanço
1985 Patriamada
1990 Crystal Moon
1997 O Noviço Rebelde
1998 Fica Comigo
1999 Xuxa Requebra
2000 Xuxa Popstar
2005 Gaijin: Ama-me Como Sou
2009 Xuxa and the Mystery of the Little Ugly Princess
2010 Aparecida - O Milagre
2014 Tomie
2015 Luz, Câmera, 50 Anos: O Pagador de Promessas - O Filme
2017 1817: A Revolução Esquecida
2017 Encantados
Director:
1988 O Pagador de Promessas
1989 Kananga do Japão
2012 As Brasileiras
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.