A work in constant progress (and occasional regress).
Birthplace:
Ribeirão Preto, São Paulo, Brazil
Born:
November 6, 1954
Guilherme de Almeida Prado (Ribeirão Preto, November 6, 1954) is a Brazilian film director. He got his start as an assistant director in pornochanchada films in the so-called "boca do lixo" in São Paulo. From his second film onwards, Almeida Prado begun to make movies inspired by the atmosphere of 40s and 50s cinema, especially Hollywood film noir and Mexican melodrama.
Assistant Director:
1979 E Agora, José?
1981 Here, Freaks!
1981 Palace of Venus
1983 As Meninas de Madame Laura
Director:
1979 E Agora, José?
1981 Here, Freaks!
1981 Palace of Venus
1982 As Taras de Todos Nós
1983 As Meninas de Madame Laura
1983 Flor do Desejo
1987 The Lady from the Shanghai Cinema
1992 Scent of Gardenias
1995 Glaura
1998 A Hora Mágica
2008 What Ever Happened to Dulce Veiga?
2018 A Palavra
2024 Odradek
Producer:
1979 E Agora, José?
1981 Here, Freaks!
1981 Palace of Venus
1982 As Taras de Todos Nós
1983 As Meninas de Madame Laura
1983 Flor do Desejo
1987 The Lady from the Shanghai Cinema
1992 Scent of Gardenias
1995 Glaura
1998 A Hora Mágica
2008 What Ever Happened to Dulce Veiga?
2018 A Palavra
2024 Odradek
Screenplay:
1979 E Agora, José?
1981 Here, Freaks!
1981 Palace of Venus
1982 As Taras de Todos Nós
1983 As Meninas de Madame Laura
1983 Flor do Desejo
1987 The Lady from the Shanghai Cinema
1992 Scent of Gardenias
1995 Glaura
1998 A Hora Mágica
2008 What Ever Happened to Dulce Veiga?
2018 A Palavra
2024 Odradek
Writer:
1979 E Agora, José?
1981 Here, Freaks!
1981 Palace of Venus
1982 As Taras de Todos Nós
1983 As Meninas de Madame Laura
1983 Flor do Desejo
1987 The Lady from the Shanghai Cinema
1992 Scent of Gardenias
1995 Glaura
1998 A Hora Mágica
2008 What Ever Happened to Dulce Veiga?
2018 A Palavra
2024 Odradek
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.