A work in constant progress (and occasional regress).
Birthplace:
Mexico City, Mexico
Born:
January 1, 1973
Jorge Michel Grau obtains a B.A. in Communication from the National Autonomous University of Mexico from 1994-1998 and then graduates with honors in Film Direction from the Centro de Capacitacion Cinematografica (CCC); in his professional career he has started as a producer of documentaries and cultural and educational television programs. Jorge has participated as a production manager on several films produced by the Mexican Film Institute, the CCC as well as independent productions. In 2004 he specializes in film direction at the Escola Superior de Cinema I Audivisuals de Catalunya (ESCAC) at Barcelona, Spain. He receives a scholarship from FONCA (National Fund for Culture and Arts) in support program for overseas studies and in 2009 he receives funding for a film project. In 2005 he studied Stage Direction at the National University Theatre School (CUT) with Raul Quintanilla and Art Direction with professor Alejandro Luna at the CCC. As a film director he has worked on short films from 2003 to 2007. He debuts as a feature film director with the film "Somos lo que hay" aka "We are what we are", selected to compete at the 42th Director's Fortnight (Quinzaine des Realisateurs) at the Cannes Film Festival in 2010 in Official Selection for the Camara D'or, and at 48th New York Film Festival 2010. The film has received the Silver Hugo Special Jury Prize for the international feature competition at the Chicago International Film festival, Sequense Prize at the Fantasia International Film Festival, Montreal; Best Picture and Script Next Wave at the Fantastic Fest, Austin. He was selected to participated at the Young Producer's Lab a the Morelia International Film Festival and for the Visionary Talent Campus (organized by the Berlin Film Festival) at the Guadalajara International Film Festival in March, 2008. He is a professor of Production, Assistant Direction and Set Logistics at the Centro de Capacitacion Cinematografica (CCC), as well as an advisor of thesis projects. He also teaches Film Produciton at the Extracurricular Program at the Political and Social Sciences Faculty of the National Autonomous University (UNAM), as well as Film Direction at KMZ Workshops. He published the article: "Un pays pris en otage par l'insecurite" in the "Le Monde Magazine, Special Cinema" in France, during the Cannes Film Festival 2010.
Associate Producer:
2019 45 Days In Harbar
Director:
2010 We Are What We Are
2011 60 Seconds of Solitude in Year Zero
2012 Gofer
2013 The ABCs of Death
2014 Barbarous Mexico
2015 Big Sky
2016 7:19
2019 45 Days In Harbar
2019 Lost Girl
2023 Rage
???? Kalimán
Screenplay:
2010 We Are What We Are
2011 60 Seconds of Solitude in Year Zero
2012 Gofer
2013 The ABCs of Death
2014 Barbarous Mexico
2015 Big Sky
2016 7:19
2019 45 Days In Harbar
2019 Lost Girl
2023 Rage
???? Kalimán
Thanks:
2010 We Are What We Are
2011 60 Seconds of Solitude in Year Zero
2012 Gofer
2013 The ABCs of Death
2014 Barbarous Mexico
2015 Big Sky
2016 7:19
2018 Atrocious
2019 45 Days In Harbar
2019 Lost Girl
2023 Rage
???? Kalimán
Creator:
2024 Every Minute Counts
Director:
2024 Every Minute Counts
2024 Sierra Madre: No Trespassing
Writer:
2024 Every Minute Counts
2024 Sierra Madre: No Trespassing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.