A work in constant progress (and occasional regress).
Sound:
2003 Noi the Albino
Sound Mixer:
2003 Noi the Albino
2009 Baby frei Haus
2016 Der Bankraub
2018 Inspektor Jury - Der Tod des Harlekins
2018 Lehman. Gier frisst Herz
2019 My Mother's Girlfriend
2019 So weit das Meer
2022 Dr. Hoffmann - Die russische Spende
2022 McLenBurger - 100% Heimat
Sound Re-Recording Mixer:
2003 Noi the Albino
2008 Küss mich, wenn es Liebe ist
2009 Baby frei Haus
2010 Die Akte Golgatha
2016 Der Bankraub
2018 Inspektor Jury - Der Tod des Harlekins
2018 Lehman. Gier frisst Herz
2019 My Mother's Girlfriend
2019 So weit das Meer
2022 Dr. Hoffmann - Die russische Spende
2022 McLenBurger - 100% Heimat
Sound mixer:
2003 Noi the Albino
2008 Küss mich, wenn es Liebe ist
2009 Baby frei Haus
2010 Die Akte Golgatha
2011 Marco W. - 247 Tage im türkischen Gefängnis
2016 Der Bankraub
2018 Inspektor Jury - Der Tod des Harlekins
2018 Lehman. Gier frisst Herz
2019 My Mother's Girlfriend
2019 So weit das Meer
2022 Dr. Hoffmann - Die russische Spende
2022 McLenBurger - 100% Heimat
Sound Mixer:
2023 Dr. Nice
Sound Re-Recording Mixer:
2018 Ella Schön
2023 Dr. Nice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.