A work in constant progress (and occasional regress).
Birthplace:
Cammarata, Sicily, Italy
Born:
January 1, 1919
Died:
October 5, 2006
Ottavio Alessi was an Italian screenwriter, producer, and film director whose career spanned from the 1940s to the 1970s. Born in Cammarata, Sicily, he entered the film industry in 1940 as an assistant director. By 1945, Alessi had transitioned to screenwriting, contributing to both genre and art films. He collaborated with notable directors such as Pietro Germi, Franco Rossi, Folco Quilici, and Luciano Salce. Alessi directed two films in the 1960s: What Ever Happened to Baby Toto? (1964), a parody of What Ever Happened to Baby Jane?, and Top Sensation (1969). His screenwriting credits include The Testimony (1946), Amici per la pelle (1955), A Woman Alone (1956), The Mongols (1961), Charge of the Black Lancers (1962), Emanuelle in Bangkok (1976), and Emanuelle in America (1977). Alessi's work is noted for its versatility and contribution to Italian cinema during a transformative era.
Assistant Director:
1940 The Sinner
1948 L'isola de Montecristo
Director:
1940 The Sinner
1948 L'isola de Montecristo
1964 What Ever Happened to Baby Toto?
1969 The Seducers
First Assistant Director:
1940 The Sinner
1948 L'isola de Montecristo
1954 The Seducer
1956 Altair
1956 Noi siamo le colonne
1964 What Ever Happened to Baby Toto?
1969 The Seducers
Original Story:
1940 The Sinner
1948 L'isola de Montecristo
1954 The Seducer
1956 Altair
1956 Noi siamo le colonne
1964 What Ever Happened to Baby Toto?
1969 The Seducers
1977 Emanuelle in America
Screenplay:
1940 The Sinner
1948 L'isola de Montecristo
1954 The Seducer
1956 Altair
1956 Noi siamo le colonne
1957 The Man Who Wagged His Tail
1957 The Mysteries of Paris
1959 Juke Box - Screams of Love
1959 Wild Cats on the Beach
1961 The Mongols
1964 What Ever Happened to Baby Toto?
1966 Adultery Italian Style
1969 The Seducers
1977 Emanuelle in America
1980 The Precarious Bank Teller
1984 Cinderella '80
Story:
1940 The Sinner
1948 L'isola de Montecristo
1950 Angel in the crowd
1954 The Seducer
1956 Altair
1956 Noi siamo le colonne
1957 The Man Who Wagged His Tail
1957 The Mysteries of Paris
1959 Juke Box - Screams of Love
1959 Wild Cats on the Beach
1961 The Mongols
1964 What Ever Happened to Baby Toto?
1966 Adultery Italian Style
1969 The Seducers
1976 Emanuelle in Bangkok
1977 Emanuelle in America
1980 The Precarious Bank Teller
1984 Cinderella '80
Writer:
1940 The Sinner
1948 L'isola de Montecristo
1950 Angel in the crowd
1954 The Seducer
1955 Friends for Life
1956 Altair
1956 Noi siamo le colonne
1957 The Man Who Wagged His Tail
1957 The Mysteries of Paris
1959 Juke Box - Screams of Love
1959 Wild Cats on the Beach
1961 Odissea nuda
1961 The Mongols
1962 Charge of the Black Lancers
1962 Tiko and the Shark
1964 What Ever Happened to Baby Toto?
1966 Adultery Italian Style
1967 Dick Smart 2.007
1969 The Seducers
1970 The Snake God
1972 The Black Decameron
1975 Fratello mare
1976 Emanuelle in Bangkok
1977 Emanuelle in America
1977 The Rip-Off
1978 Damned in Venice
1980 The Precarious Bank Teller
1984 Cinderella '80
Screenplay:
1985 Quo Vadis?
Writer:
1976 Le Montagne della Luce
1985 Quo Vadis?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.