A work in constant progress (and occasional regress).
Art Designer:
1994 Memsahib Rita
Art Direction:
1994 Memsahib Rita
1997 The Girl with Brains in Her Feet
2001 D'Unbelievables D'Mother
2017 Pilgrimage
Production Design:
1994 Memsahib Rita
1997 The Girl with Brains in Her Feet
2001 Clare sa Spéir
2001 D'Unbelievables D'Mother
2003 Watermelon
2004 Visions of Europe
2007 Damage
2007 True North
2011 Wake Wood
2012 Ek Tha Tiger
2013 Stay
2015 Cherry Tree
2016 Maudie
2016 My Name Is Emily
2017 Pilgrimage
2019 Elizabeth Is Missing
2022 My Sailor, My Love
2023 Royal Rendezvous
2023 The Miracle Club
Production Designer:
1994 Memsahib Rita
1997 The Girl with Brains in Her Feet
2001 Clare sa Spéir
2001 D'Unbelievables D'Mother
2003 Watermelon
2004 Visions of Europe
2007 Damage
2007 True North
2011 Wake Wood
2012 Ek Tha Tiger
2013 Stay
2015 Cherry Tree
2016 Maudie
2016 My Name Is Emily
2017 Pilgrimage
2019 Elizabeth Is Missing
2022 My Sailor, My Love
2023 Royal Rendezvous
2023 The Miracle Club
Production Design:
2003 Killinaskully
2019 Resistance
2025 Miss Austen
Supervising Art Director:
2003 Killinaskully
2015 Quantico
2019 Resistance
2025 Miss Austen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.