A work in constant progress (and occasional regress).
Alias:
Luis D. Sansans
Luis David Sansans Arnanz
Luis Sansan
Luis Sansans
Luis Sansanz
Additional Camera:
2004 Man on Fire
Camera Loader:
1996 The Arrival
2004 Man on Fire
Camera Operator:
1996 The Arrival
2004 Man on Fire
2007 Resident Evil: Extinction
2015 Spectre
Cinematography:
1996 The Arrival
2004 Man on Fire
2006 Crazy Carnival
2007 Resident Evil: Extinction
2007 When Things Happen
2009 Amar
2015 Spectre
Director of Photography:
1996 The Arrival
2004 Man on Fire
2005 Romancing the Bride
2006 Crazy Carnival
2007 Resident Evil: Extinction
2007 When Things Happen
2009 2033
2009 Amar
2012 Days of Grace
2014 Escobar: Paradise Lost
2015 Captive
2015 Spectre
2016 The Belko Experiment
2021 The Forever Purge
Second Assistant Camera:
1996 The Arrival
1999 Deep Blue Sea
2004 Man on Fire
2005 Romancing the Bride
2006 Crazy Carnival
2007 Resident Evil: Extinction
2007 When Things Happen
2009 2033
2009 Amar
2012 Days of Grace
2014 Escobar: Paradise Lost
2015 Captive
2015 Spectre
2016 The Belko Experiment
2021 The Forever Purge
Steadicam Operator:
1996 The Arrival
1999 Deep Blue Sea
2004 Man on Fire
2005 Romancing the Bride
2006 Crazy Carnival
2007 Resident Evil: Extinction
2007 When Things Happen
2009 2033
2009 Amar
2012 Days of Grace
2014 Escobar: Paradise Lost
2015 Captive
2015 Spectre
2016 The Belko Experiment
2021 The Forever Purge
Steadycam:
1996 The Arrival
1999 Deep Blue Sea
2004 Man on Fire
2005 Romancing the Bride
2006 Crazy Carnival
2007 Resident Evil: Extinction
2007 Two Embraces
2007 When Things Happen
2009 2033
2009 Amar
2012 Days of Grace
2014 Escobar: Paradise Lost
2015 Captive
2015 Spectre
2016 The Belko Experiment
2021 The Forever Purge
Cinematography:
2018 Here on Earth
Director of Photography:
2015 Narcos
2018 Here on Earth
2020 Grant
2023 The Chosen One
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.