Daniel D. Lopez

Gallery Unavailable

Daniel D. Lopez is an American indie film director, writer, and actor, best known for his work on "Max Payne: Perdition," the most awarded Max Payne fan film ever made. A native New Yorker, he was raised in a close knit, Catholic, all-American household, an upbringing he greatly cherishes. As a child, he was described as being intensely inquisitive, polite, and highly communicative, reading and writing at a much higher level than others his age. His passion for knowledge was coupled with a talent for storytelling and mimicry: he was able to quickly learn accents and behaviors and did so mainly to entertain his family.  "Max Payne: Perdition" is his first feature film, where he served as writer, director, lead actor, editor, and so on. The film received praise for its introspective exploration of the protagonist's trauma and high production value. Daniel was most proud of his voice impersonation of the late James McCaffrey (Max Payne's voice actor), which not only won the Oniros "Best Voice Over" award but was also hailed by fans as perhaps the closest to McCaffrey's iconic voice.  Aside from filmmaking, Daniel is an English teacher and holds a summa cum laude Bachelor of Arts in International Politics. His family-oriented upbringing and Christian views both greatly influence the paths he walks and the projects he undertakes.  - IMDb mini biography by: Daniel D. Lopez

Additional information:

The Search Form


Cinematography:
2025  Max Payne: Perdition

Director:
2025  Max Payne: Perdition

Director of Photography:
2025  Max Payne: Perdition

Editor:
2025  Max Payne: Perdition

Producer:
2025  Max Payne: Perdition

Visual Effects Director:
2025  Max Payne: Perdition

Writer:
2025  Max Payne: Perdition

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.