Douglas S. Meyer

Doug’s journey began in New Albany, Indiana, where he spent his early years before moving to Concord, North Carolina, at the age of 15. Alongside his brothers, Robbie and Ronnie, he cherished weekends at their cabin on Rough River Lake in Kentucky, where they immersed themselves in outdoor adventures, sparking Doug’s lifelong passion for nature and primitive skills.  Following his high school years, Doug enlisted in the army as a Combat Engineer before pursuing his academic interests at the University of North Carolina at Charlotte, where he delved into history and anthropology. It was during an anthropology field trip to the Schiele Museum that he encountered Steve Watts, a master of primitive skills, whose demonstrations ignited Doug’s fascination with ancient crafts.  Under the mentorship of luminaries like Steve Watts, Errett Callahan, and Charles Worsham, Doug honed his skills in survival, tracking, and craftsmanship. He dedicated himself to mastering the intricacies of primitive living, drawing inspiration from cultures around the world. Doug’s passion for preserving ancient traditions led him to share his expertise with audiences worldwide, conducting demonstrations and workshops, and contributing to the preservation of  indigenous knowledge. He authored books on Native American Blowguns and Stone Age Survival, enriching the understanding of primitive technologies and their cultural significance. Today, Doug resides in Kannapolis, North Carolina, with his wife of over three decades, Jana, and their beloved Shih Tzus, Sassy, and Sadie. Together, they continue to embrace a life filled with gratitude, honoring the timeless wisdom of their ancestors and inspiring future generations to connect with nature and traditional skills.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.