A work in constant progress (and occasional regress).
Birthplace:
United States
Andrew Rossi is a director, producer, and cinematographer of documentary films. His first feature film, Eat This New York, aired on the Sundance Channel in 2004. He then directed Le Cirque: A Table In Heaven, a documentary about restaurateur Sirio Maccioni and his family, which premiered at the 2007 Full Frame Documentary Film Festival and was later shown on HBO. His most recent film Page One: Inside the New York Times premiered at the 2011 Sundance Film Festival and is being released in theaters on June 17, 2011. He was also associate producer on the film Control Room and producer/director of the short The Sky Did Not Fall. Description above from the Wikipedia article Andrew Rossi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Associate Producer:
2004 Control Room
Director:
2004 Control Room
2004 Eat This New York
2007 Le Cirque: A Table in Heaven
2011 Page One: Inside the New York Times
2014 Ivory Tower
2016 The First Monday in May
2017 Bronx Gothic
2020 After Truth: Disinformation and the Cost of Fake News
Director of Photography:
2004 Control Room
2004 Eat This New York
2007 Le Cirque: A Table in Heaven
2011 Page One: Inside the New York Times
2014 Ivory Tower
2016 The First Monday in May
2017 Bronx Gothic
2018 The Gospel According to André
2020 After Truth: Disinformation and the Cost of Fake News
2020 Hysterical Girl
Editor:
2004 Control Room
2004 Eat This New York
2007 Le Cirque: A Table in Heaven
2011 Page One: Inside the New York Times
2014 Ivory Tower
2016 The First Monday in May
2017 Bronx Gothic
2018 The Gospel According to André
2020 After Truth: Disinformation and the Cost of Fake News
2020 Hysterical Girl
Executive Producer:
2004 Control Room
2004 Eat This New York
2007 Le Cirque: A Table in Heaven
2011 Page One: Inside the New York Times
2014 Ivory Tower
2016 The First Monday in May
2017 Bronx Gothic
2018 The Gospel According to André
2020 After Truth: Disinformation and the Cost of Fake News
2020 Hysterical Girl
Producer:
2004 Control Room
2004 Eat This New York
2007 Le Cirque: A Table in Heaven
2011 Page One: Inside the New York Times
2014 Ivory Tower
2015 Thought Crimes
2016 The First Monday in May
2017 Bronx Gothic
2017 Mommy Dead and Dearest
2018 The Gospel According to André
2019 The Queen's Man
2020 After Truth: Disinformation and the Cost of Fake News
2020 Hysterical Girl
Sound Editor:
2004 Control Room
2004 Eat This New York
2007 Le Cirque: A Table in Heaven
2011 Page One: Inside the New York Times
2014 Ivory Tower
2015 Thought Crimes
2016 The First Monday in May
2017 Bronx Gothic
2017 Mommy Dead and Dearest
2018 The Gospel According to André
2019 The Queen's Man
2020 After Truth: Disinformation and the Cost of Fake News
2020 Hysterical Girl
Writer:
2004 Control Room
2004 Eat This New York
2007 Le Cirque: A Table in Heaven
2011 Page One: Inside the New York Times
2014 Ivory Tower
2015 Thought Crimes
2016 The First Monday in May
2017 Bronx Gothic
2017 Mommy Dead and Dearest
2018 The Gospel According to André
2019 The Queen's Man
2020 After Truth: Disinformation and the Cost of Fake News
2020 Hysterical Girl
Director:
2020 Marvel's 616
2022 The Andy Warhol Diaries
Executive Producer:
2018 7 Days Out
2020 Marvel's 616
2022 The Andy Warhol Diaries
2022 Undercurrent: The Disappearance of Kim Wall
Producer:
2018 7 Days Out
2019 I Love You, Now Die: The Commonwealth v. Michelle Carter
2020 Marvel's 616
2022 The Andy Warhol Diaries
2022 Undercurrent: The Disappearance of Kim Wall
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.