A work in constant progress (and occasional regress).
Alias:
Tabassum Fatima Hashmi
Tabassum Hashmi
Tabbu
Tabu Hashmi
तबु
तब्बू
தபஷ்ஷும் ஃபாதிமா ஹஷ்மி
தபு
தபூ
타부
Birthplace:
Hyderabad, India
Born:
November 4, 1970
From Wikipedia, the free encyclopedia. Tabu (born Tabassum Hashmi) is an Indian film actress. She has mainly acted in Hindi films, though she has also starred in Telugu, Tamil, Malayalam and Bengali language films, as well as one American film. She has won the National Film Award for Best Actress twice, and she holds the record for the most wins of Filmfare's Critics Award for Best Female Performer, with four. Despite a few exceptions, Tabu is best-known for acting in artistic, low-budget films that go on to garner more critical appreciation than substantial box office figures. Her appearances in commercially successful films were few, and her parts in these films were small, such as Border (1997), Saajan Chale Sasural (1996), Biwi No.1 and Hum Saath-Saath Hain: We Stand United (1999). Her most notable performances include Maachis (1996), Virasat (1997), Hu Tu Tu (1999), Astitva (2000), Chandni Bar (2001), Maqbool (2003) and Cheeni Kum (2007). Her leading role in Mira Nair's American film The Namesake also drew major praise. Regarded as one of the most talented Indian female actors of her generation, Tabu is known to be selective about her film roles and has once said, "I do films which move me and most of all, the unit and the director should appeal to me." She is the recipient of the 2011 Padma Shri, India's fourth-highest civilian award. Description above from the Wikipedia article Tabu (actress), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.