A work in constant progress (and occasional regress).
Birthplace:
Philadelphia, Pennsylvania, USA
Born:
January 1, 1981
Jeremiah Zagar (born 1980 or 1981) is an American filmmaker. He has directed the feature films We the Animals (2018) and Hustle (2022). The former was nominated for five categories at the 34th Independent Spirit Awards. He also directed the 2008 documentary In a Dream, which is about his father Isaiah Zagar.
Director:
2009 In a Dream
2011 Heart Stop Beating
2012 Always A Fire
2012 Focus Forward: Short Films, Big Ideas
2014 Captivated: The Trials of Pamela Smart
2015 Live/Play 2015 - League of Legends
2018 We the Animals
2022 Hustle
Editor:
2009 In a Dream
2009 Orgasm Inc.
2011 Heart Stop Beating
2012 Always A Fire
2012 Focus Forward: Short Films, Big Ideas
2014 Captivated: The Trials of Pamela Smart
2015 Live/Play 2015 - League of Legends
2018 We the Animals
2022 Hustle
Executive Producer:
2009 In a Dream
2009 Orgasm Inc.
2011 Heart Stop Beating
2012 Always A Fire
2012 Focus Forward: Short Films, Big Ideas
2014 Captivated: The Trials of Pamela Smart
2015 Live/Play 2015 - League of Legends
2017 Voyeur
2018 We the Animals
2022 Hustle
Writer:
2009 In a Dream
2009 Orgasm Inc.
2011 Heart Stop Beating
2012 Always A Fire
2012 Focus Forward: Short Films, Big Ideas
2014 Captivated: The Trials of Pamela Smart
2015 Live/Play 2015 - League of Legends
2017 Voyeur
2018 We the Animals
2022 Hustle
Director:
???? Task
Executive Producer:
2022 The Fix
2023 Monster Factory
2024 It's in the Game: Madden NFL
???? Task
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.