A work in constant progress (and occasional regress).
Alias:
Fannie Hurst's Back Street
Birthplace:
Hamilton, Ohio, USA
Born:
October 19, 1885
Died:
February 23, 1968
From Wikipedia, the free encyclopedia Fannie Hurst (October 19, 1885 – February 23, 1968) was an American novelist and short-story writer whose works were highly popular during the post-World War I era. Her work combined sentimental, romantic themes with social issues of the day, such as women's rights and race relations. She was one of the most widely read female authors of the 20th century, and for a time in the 1920s she was one of the highest-paid American writers, along with Booth Tarkington. Hurst also actively supported a number of social causes, including feminism, African American equality, and New Deal programs. Although her novels, including Lummox (1923), Back Street (1931), and Imitation of Life (1933), lost popularity over time and were mostly out-of-print as of the 2000s, they were bestsellers when first published and were translated into many languages. She also published over 300 short stories during her lifetime. Hurst is known for the film adaptations of her works, including Imitation of Life (1934), starring Claudette Colbert, Louise Beavers, Fredi Washington, and Warren William; Imitation of Life (1959), starring Lana Turner; Humoresque (1946), starring Joan Crawford; and Young at Heart (1954), starring Frank Sinatra.
Novel:
1922 Back Pay
1922 Stardust
1930 Lummox
1931 Five and Ten
1932 Back Street
1932 Symphony of Six Million
1934 Imitation of Life
1941 Back Street
1948 Angelitos Negros
1948 Back Street
1959 Imitation of Life
1961 Back Street
1965 Seven Kadın Unutmaz
Short Story:
1919 A Petal on the Current
1919 The Day She Paid
1920 Humoresque
1921 Just Around the Corner
1922 Back Pay
1922 Stardust
1922 The Good Provider
1926 Mannequin
1926 The Untamed Lady
1928 Wheel of Chance
1930 Back Pay
1930 Lummox
1931 Five and Ten
1932 Back Street
1932 Symphony of Six Million
1933 Hello, Everybody!
1934 Imitation of Life
1938 Four Daughters
1939 Four Wives
1941 Back Street
1941 Four Mothers
1947 Humoresque
1948 Angelitos Negros
1948 Back Street
1954 Young at Heart
1959 Imitation of Life
1961 Back Street
1965 Seven Kadın Unutmaz
Story:
1919 A Petal on the Current
1919 The Day She Paid
1920 Humoresque
1921 Just Around the Corner
1922 Back Pay
1922 Stardust
1922 The Good Provider
1926 Mannequin
1926 The Untamed Lady
1928 Wheel of Chance
1930 Back Pay
1930 Lummox
1931 Five and Ten
1932 Back Street
1932 Symphony of Six Million
1933 Hello, Everybody!
1934 Imitation of Life
1938 Four Daughters
1939 Four Wives
1941 Back Street
1941 Four Mothers
1947 Humoresque
1948 Angelitos Negros
1948 Back Street
1954 Young at Heart
1959 Imitation of Life
1961 Back Street
1965 Seven Kadın Unutmaz
1971 Mothers and Daughters
Theatre Play:
1919 A Petal on the Current
1919 The Day She Paid
1920 Humoresque
1921 Just Around the Corner
1922 Back Pay
1922 Stardust
1922 The Good Provider
1926 Mannequin
1926 The Untamed Lady
1928 Wheel of Chance
1929 The Younger Generation
1930 Back Pay
1930 Lummox
1931 Five and Ten
1932 Back Street
1932 Symphony of Six Million
1933 Hello, Everybody!
1934 Imitation of Life
1938 Four Daughters
1939 Four Wives
1941 Back Street
1941 Four Mothers
1947 Humoresque
1948 Angelitos Negros
1948 Back Street
1954 Young at Heart
1959 Imitation of Life
1961 Back Street
1965 Seven Kadın Unutmaz
1971 Mothers and Daughters
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.